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Mary Rosenblum
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Hello all!
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Welcome to our Professional
Connection interview. I am so pleased to have Elizabeth Guy as my guest.
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Elizabeth Guy's poetry,
articles, quizzes and short stories have been published in newspapers,
anthologies, calendars, magazines such as Woman's World, Writer's Digest,
Writer's Digest Guide, Start Writing Now! and Byline as well as online
publications such as Absolute Write, Writing, Etc., NAWW, Flashing in the
Gutters, and Mouth Full of Bullets.
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I discovered her when I
stumbled onto The Verb,
a wonderful ezine for writers. And I was fascinated! I had to
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find out just how this came
about and why!
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So, Elizabeth, welcome! I'm so
pleased to have you here tonight!
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Elizabeth Guy
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Thanks so much for asking me,
Mary.
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rae
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Elizabeth, your contest is going
to have a lot of LR students and alumni entering it. It is good to meet
you. Thanks for coming.
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Mary Rosenblum
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Yeah, I think you're now a
household word around here, Elizabeth!
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Elizabeth Guy
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Ha! I like that!
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Mary Rosenblum
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Good! J
We aim to please!
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So let's start at the
beginning, which is where I always like to start! When and how did you
start writing?
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Elizabeth Guy
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I've been writing since I was
ten.
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Poetry, mostly, but later on,
I began to read many romances and thought I could write one of those .
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And I realized that fiction
was my forte.
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Mary Rosenblum
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Oh, cool! Did you go on to
write those romances?
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Elizabeth Guy
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Yes, several. A few were later
published in romance magazines, many were discarded.
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Mary Rosenblum
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It sounds as if you're another
short story writer, Elizabeth.
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Elizabeth Guy
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LOVE short stories!
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Mary Rosenblum
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Me, too. My first love,
although I do write novels, too.
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Elizabeth Guy
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Shot stories requires a great
deal of editing, and I like the challenge.
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Mary Rosenblum
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Me, too. I think they're harder
than novels, actually, even if they include fewer words.
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Elizabeth Guy
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This is true. You don't have
as many words to work with, so every one counts
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and the characters, and the
conflict, have to shine from page one.
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Mary Rosenblum
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Absolutely. Which is why I'm
always encouraging novice writers to do short form especially flash
fiction challenges.
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So tell us about ReadingWriters and The Verb. How did all
this come about?
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Elizabeth Guy
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ReadingWriters was actually
created out of frustration…
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I'd hired some editors to
analyze my work, and had gotten disappointing responses
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They were very good at
pointing out where I had broken the rules, but didn't show me how to
restructure the story.
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One even told me she had no
idea how to revise it.
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Well, this wasn't helpful.
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So I hired twelve
readers/writers to read my entire manuscript and write an opinion of it.
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The results were eye-opening!
I figured maybe such a service could help other struggling writers as well
.
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So ReadingWriters was born. By
the way, that first novel was horrible, but now I know why.
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Mary Rosenblum
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Wow, what an impressive
start!!! And what a lesson.
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(don't hire editors to deal
with your work, ask other writers to read it!!!).
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rae
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Was it expensive to hire
readers/writers to read your manuscript? Is it a practical thing to do?
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Elizabeth Guy
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I think it really depends on
how much you're willing to pay.
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Many writing groups will read
portions of your work for free.
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Other prefer to have someone
spend time with the entire thing.
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That costs time and money, but
it's INVALUABLE!
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Mary Rosenblum
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So what came first?
Readingwriters?
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Elizabeth Guy
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Yes, ReadingWriters was online
for a year
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when I realized I needed to
start a newsletter.
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It was an advertising tool,
really. But I didn't want it to look like all the other newsletters .
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I mean, there are so many
excellent writing newsletters out there already that cover all the good
stuff
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and I didn't want to simply
repeat what they published. So I thought "bite size" pieces of
info, along with historical tidbits
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.
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(I'm a history buff) might
interest readers and make them proud of their profession.
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Mary Rosenblum
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I love your format, actually.
Those bite sized bits of information are much easier to digest and remember
than a huge, multipage newsletter with lots of 'in depth' articles.
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And it's fun!
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Elizabeth Guy
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Thank you! And they're more
fun to write!
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Mary Rosenblum
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For those who might not have
visited it, can you summarize what you include in a typical issue of The
Verb for us?
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Elizabeth Guy
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I usually start with a theme
or a genre .
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I then research those writers
who have excelled in that area
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so you get a Moment in History
that tells the history of a top selling book and
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you get a current author who
tells you what's on her desk .
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You get a quiz, a sample of writing
excellence and of course, Professor Write-A-Lot who answers all writing
questions.
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Mary Rosenblum
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I love Professor Write-A-Lot. J
Are you his voice?
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Elizabeth Guy
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That's top secret. If I tell
you, I'll have to kill you.
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Mary Rosenblum
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Oh, oh my dog would be so
unhappy if I couldn't feed her dinner, so I'd better let it pass!
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But he's delightful and has
good answers, too.
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rae
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Is it better to get an opinion
of your writing, or an edit? How many people do it to one manuscript?
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Elizabeth Guy
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I'll tell him. And oh, I love
dogs!
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Our Opinions are by far the
most popular
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They're very thorough, polite
and honest.
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We don't patronize our clients
or insult their intelligence. If something's wrong, we say so. But we also
immediately offer a suggestion.
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My Motto: Never point out a
flaw unless I can offer a solution.
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Mary Rosenblum
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Good for you! Personally, my
feeling is that if the critiquer can't offer some sort of solution, then
he/she really should not consider himself/herself an expert.
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Elizabeth Guy
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Amen, sister!
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Mary Rosenblum
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That's the basic tenet for
teaching. If there's a better way to do it, point it out. Don't just say
'this is wrong'.
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paulab
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What is the website for The Verb
e-zine?
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Elizabeth Guy
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And a writer will never learn
unless someone points it out.
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Mary Rosenblum
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Exactly.
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Elizabeth Guy
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The address is: http://www.readingwriters.com/TheVERB.htm
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Mary Rosenblum
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So do you offer opinions on and
edit all genres?
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Elizabeth Guy
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Yes, we have Readers from all
genres
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Sometimes they might be
knee-deep in a project and unavailable for a few weeks or months
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Elizabeth Guy
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but since we're all readers,
we can provide thoughtful feedback for any genre.
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charie'
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If there are numerous problems,
do you have a hierarchy of which ones you help them with first?
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Elizabeth Guy
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Good question.
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First, I read the entire
manuscript
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I then go back and note the
problems, chapter by chapter ,
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which deals with character,
conflict and flow. What is this story about? Who is the main character?
What does he or she want? Are these answered in the first chapter?
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If not, I tackle them all, one
by one, and provide detailed solutions .
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Overall, I wind up reading a
manuscript three times.
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Mary Rosenblum
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Wow, that's thorough,
Elizabeth. I'm impressed. And time consuming.
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This is a for-fee read, right?
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Elizabeth Guy
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I love to read. So that helps.
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Yes. The VERB is free. We give
a free article with each subscription and I happily answer all writing
questions for free. But I don't read manuscripts for free.
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Mary Rosenblum
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I would hope not! That is a lot
of time and expertise.
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Mary Rosenblum
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What do you charge for that
service?
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Elizabeth Guy
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The fees are listed on the
website. But, say, for a manuscript up to 70,000 words, the fee is $300
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Mary Rosenblum
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That's very reasonable.
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Editorial and reading fees can
be much higher.
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paulab
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Do you have other people helping
with the reading?
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Elizabeth Guy
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Yes, Paulab, we now have 19
active readers.
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rae
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How did you come up with the
name The VERB?
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Elizabeth Guy
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Rae, it came from the same
train of thought of "bite size" pieces. I wanted something short,
sweet and active.. Hey, that's a verb!
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Mary Rosenblum
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And verbs are such an under
used and powerful tool it really fits.
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Elizabeth Guy
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Yes, verbs are good.
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rae
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How often do you come up with
contests?
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Mary Rosenblum
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Oh, do tell folk about your
contests.
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Elizabeth Guy
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We host quarterly contests. I
think all writers love a challenge, and we try to offer that.
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They're all about stretching
the imagination.
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It's also a challenge to
choose a winner. These entries are brilliant!
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Most have no fees. And the
prize usually consists of , publication in The VERB, one Opinion of the
winning story and a signed book.
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Our First Chapter Contest '
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where we offered three Opinions
for each entry, was a huge hit for a while
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but now everyone seems to be
hosting a similar contest. We may phase out that one.
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Mary Rosenblum
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You just set a trend, that's
all! :-)
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Elizabeth Guy
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Ha!
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Mary Rosenblum
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Do you have a committee of
judges? Who makes the final decision?
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Elizabeth Guy
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Sometimes, I have other
ReadingWriters as judges. Sometimes, it's only moi.
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Mary Rosenblum
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I hope you keep the contests
going. :-)
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Elizabeth Guy
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Yes, indeedy!
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The contest page is our most
popular page!
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Mary Rosenblum
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Oh, I bet! And I noticed that
you tell people what music you're listening to as you do the newsletter.
How come?
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Elizabeth Guy
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Well, I realized early on that
I write better when I have music playing in my ears .
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It sets the mood and transport
me into the story.
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I also do it when I'm editing
The VERB, writing Opinions or proofing something.
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And I thought it would be fun
to post it on each VERB in case the reader wanted to listen to the same
music. We could bond over the Internet. Ahhhh!
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Mary Rosenblum
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I found that very interesting.
When my sons were young, music was my 'office' since I write in the main
room. And to this day, I can still recall the music I was listening to when
I wrote certain early stories. I love the bonding concept!
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paulab
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I write better with music also,
I thought I was crazy.
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Elizabeth Guy
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Join the crazy club, paulab!
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Mary Rosenblum
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Do you do a print version of
The Verb at all? Or is it just online?
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Elizabeth Guy
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Only online. We're asked this
a lot, but it would cost way too much money to produce a print copy: ink,
paper, postage. And the dancing bear. (He'd turn the pages for you.)
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Mary Rosenblum
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But you are doing a book of
Mush Pump and Ice Noodle right? And now, of course, you have to tell us how
this duo originated! I love them.
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Elizabeth Guy
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This goes back to that first
novel. The one that was sooo bad.
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The lead character was
emotionally withdrawn. He had a tender heart that wanted to articulate
feelings, but the defensive brain blocked all data that might cause pain.
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Which left him with inner
dialogue. So I had a lot of scenes with a tender sentimental Mush Pump
arguing with the cold logical Ice Noodle.
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Problem was, these two
jabbering organs took over the story and oh, it was a mess.
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But when I started The VERB, I
thought it would be fun to crawl inside a fiction writer's head and watch
the process of creating a story out of thin air .
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Which should rule? Logic or
emotion? So I resurrected Mush Pump and Ice Noodle and put them to work.
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Mary Rosenblum
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Oh, I am ROLLING on the floor
about your poor main character! So was this SF, or romance that just sounds
like SF in your retelling?
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Haven't we all done this ?
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Elizabeth Guy
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It was a romance, if you can
believe it. Bad, bad.
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Mary Rosenblum
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Everybody has to write that
really baaaad first book. I did, too!
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Elizabeth Guy
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Yes, I think it naturally
makes us better. .
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I still have a copy of that
manuscript, but I can't bear to read it.
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Mary Rosenblum
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There's a premise that
everybody has to write a million words before they start writing good
fiction. I tend to believe that's the case.
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Elizabeth Guy
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I read one writer, can't
remember the name, who said, ""Every writer must write TEN YEARS
before he can write a novel."
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Mary Rosenblum
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I don't know about time .maybe
it took him ten years to write his million words is all. J
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Elizabeth Guy
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Maybe. Poor fella.
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tory
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The artwork on the sites is
great, but doesn't appear to be signed. Are you the artist?
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Elizabeth Guy
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No, tory, all the artwork is
done by my artist, filmmaker son, Nathan. He has a clever way of signing
his work by inserting his upside down initials into the works .
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They're there, but not easily
seen.
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Mary Rosenblum
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Actually, the website itself is
very well done! Do you or Nathan do it? Or is it a professional web
designer?
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Elizabeth Guy
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Nathan does the artwork. I do
everything else via Microsoft FrontPage.
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I also have a computer genius
husband, so when I get stumped, I turn to him.
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Mary Rosenblum
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Oh, super! Nice job!
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laina
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What is the most common mistake
you see writer's make?
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Elizabeth Guy
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Thanks so much!
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A lack of conflict. Many
stories are full of narrative that doesn't go anywhere. They read more as a
journal entry instead of a chapter
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A great story must have
suspense. And suspense requires conflict. Will she or won't she enter that
dark room? Will he or won't he make it over the waterfall?
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As long as your readers are
asking questions, you're on the right track. Encountering obstacles--that's
Conflict.
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Mary Rosenblum
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Yes, that's the core of story,
all right.
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laina
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What would be the second most
common mistake among writers?
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Mary Rosenblum
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Maybe we could just ask what
are the most common weaknesses you see?
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Elizabeth Guy
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A lack of conflict is
definitely #1. Second, may be not opening the first chapter with a bang.
Many storytellers believe they have to set up the story first
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introduce the character,
define her background, etc. But that's not the case. Grab readers with
action from the get-go, and you'll have plenty of time later on to fill in
the past
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As Mary wrote in her most
excellent article, Embedding
the Backstory: prose fiction is interactive. We leave out readers
ROOM TO IMAGINE "
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They don't need to know
everything.
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Mary Rosenblum
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You read that piece? I'm
flattered. And yes, these are the same problems I see over and over in LR
student and workshop mss.
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Elizabeth Guy
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Knowing WHERE to start the
story is really an art form all its own.
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Most of the time, we don't
know that spot until we've completed the novel.
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Mary Rosenblum
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Isn't that the truth? I had
published quite a few short stories before I could actually start my first
draft where it needed to start, instead of
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lopping off the first scene or
two during revision! LOL
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Elizabeth Guy
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I know the feeling.
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And it's difficult to lop off
those scenes because I thought it was so brilliant. ;-)
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Mary Rosenblum
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Aren't the ones we usually need
to lop usually the ones we love best?
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Elizabeth Guy
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Yeah, why is that?
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Mary Rosenblum
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You know, years ago, Orson
Scott Card told me to find the scene I liked best in anything I wrote and
take it out. He said
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that we love something too much
to be objective.
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I have to admit I don't always
do that, but often he's right.
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Elizabeth Guy
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Well, it's difficult to be
objective at all when it's your work. It's very personal.
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A favorite part of The VERB,
for me, is the Liitle-Known Facts section.
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This spotlights writers who
have already left us.
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But I'm struck by some of the
horrible childhoods they had. They squleched their pain with the usual
means: drugs, alcohol, violence, etc. Yet through it all, the managed to
become incredibly gifted storytellers .
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Unfortunately some greats,
such as Hemingway, Virginia Woolf, Sylvia Plath committed suicide. But I
wonder: did their background make them great writers?
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crystalwizard
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Like Robert Asprin?
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Elizabeth Guy
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Or were they great writers despite
their backgrounds? Hmmmm.
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Mary Rosenblum
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That's a question isn't it?
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A little hard to answer, alas.
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Elizabeth Guy
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True. Just makes one think.
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onepozy
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On your bad first novel, how
long did you work on it before you shelved it and move on to other work
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Elizabeth Guy
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Four long excruciating and fun
years, onepozy.
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After the readers gave me
their opinions, I was able to let it go.
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Mary Rosenblum
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Ouch. So do you feel that you
learned a lot in the process, painful though it may have been?
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Elizabeth Guy
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Unquestionably. And I know now
what beginning writers are feeling, and how lost some of them feel when
they can't get answers. It's terribly frustrating.
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paulab
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Were you working on other things
simultaneously?
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Elizabeth Guy
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I wrote a few short stories,
but mainly spent every moment I could on that "organ-jabbering"
novel.
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Mary Rosenblum
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But, hey, Readingwriters and
The Verb were born! Would that have happened if you'd had a modest success
in that first novel?
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Elizabeth Guy
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Probably not.
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rae
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How often do new writers succeed
with their first novels?
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Elizabeth Guy
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And I've been SO MANY good
writing people!
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Mary Rosenblum
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What do you think, Elizabeth?
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Elizabeth Guy
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It's rare, but it happens.
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Mary Rosenblum
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Most pros I know never
published the first novel they actually wrote, but most wrote 'em very
young.
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Elizabeth Guy
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And some spent years rewriting
that first novel until they finally got it right. But I wouldn't focus too
much on the stats, I'd focus on writing a fabulous story.
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Anybody can by the exception.
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Mary Rosenblum
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Exactly.
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rae
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Would you suggest that a writer
only give you a manuscript when it is final or before?
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Elizabeth Guy
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I prefer to read an entire
novel.
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This way, I can see the shape
of the story .
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On the site, I compare it to
stepping back and looking at a painting
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and then moving in and honing
in on the details.
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I can't do that with a
partial, but I do read partials, if asked
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It's just that I feel I don't
provide an adequate Opinion with partials.
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paulab
|
Are you looking for more
readers?
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Mary Rosenblum
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Where do you find your readers?
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Elizabeth Guy
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I find readers online, or
through writer friends. At this time, I'm not adding to the list, but
please feel free to email me, tell me a bit about yourself and I will put
you in my file.
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That sounds painful, doesn't
it? "I will put you in my file."
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Mary Rosenblum
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I envision this huge metal
drawer!
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But seriously, are you working
on writing projects now? Or are you mostly involved with the website?
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Elizabeth Guy
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With two cats guarding it.
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Mary Rosenblum
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Two Egyptian cats.
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Elizabeth Guy
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I have just completed a
thriller screenplay and entered it into the Nicholl Fellowship Competition.
Should be hearing the results of that later in the summer.
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I am always reading
manuscripts or working on The VERB, or writing a short story. Can't help
myself.
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I love to read!
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Mary Rosenblum
|
Short stories are addictive! No
novel in progress, though?
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Elizabeth Guy
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There’s one on the backburner
that needs some simmering.
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Mary Rosenblum
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Don't forget to mention your
Ice Noodle and Mush Pump book remember. Isn't it available?
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Elizabeth Guy
|
Yes, you can view the book trailer and
read an excerpt in The VERB, page 4. It is available at Lulu and your favorite
online bookstores.
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Mary Rosenblum
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Yes, I think I sent folk to
view the video trailer in a recent newsletter. Tell us about making that,
will you? It was way cool.
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Elizabeth Guy
|
First, I wrote the script. And
then I spent DAYS playing with my MovieMaker program .
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I inserted text and images,
then changed it all, then lost it and had to start over .
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And then I learned the music I
wanted to use could NOT be used, copyright issues, so I went in search of
free music and found Kevin MacCleod
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(He's linked on the page.) And
overall, I'd say it took me a good month to get that baby ready to roll.
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But it's a great advertising
tool, and I recommend it to all.
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Mary Rosenblum
|
Wow! You did a great job. :-)
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Elizabeth Guy
|
Thanks!
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paulab
|
I love your Are You Ready For
Feedback? section on your website, all of the "a" selections are
hilarious!
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Elizabeth Guy
|
Thanks. That originally ran in
Writers' Digest
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and I received so much email
from it. People like to laugh.
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Mary Rosenblum
|
Well, we're about out of time,
fun though our visit has been! Any parting words that you want to share
with everyone?
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Elizabeth Guy
|
I've had a blast, and thank
you again, Mary, for asking me here.
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Also, to all you writers out
there, NEVER lose your sense of humor. It keeps you buoyant.
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Mary Rosenblum
|
Excellent advice! Thank you for
a great site! I'll keep mentioning it in the LR Newsletter as you put new
issues up. Fine job, Elizabeth! Keep up the good work!
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Elizabeth Guy
|
Same to you, Mary Goodnight!
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Mary Rosenblum
|
Good night!
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Thank you all for coming! I
hope to see you Sunday at our casual chat. Same time, same place!
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