|
Mary Rosenblum
|
Hello, all, and welcome to our
regular Professional Connection live interview.
|
|
|
Tonight we're visiting with
bestselling mystery author, Steve Hamilton.
|
|
|
Steve Hamilton's first book, A
COLD DAY IN PARADISE, won both an Edgar and a Shamus award, and was a USA
Today Bestseller. The sixth book in the series, ICE RUN, came out in June,
2004. Steve lives in New York's Hudson Valley with his wife and two children.
|
|
|
For those of you who are not
familiar with mystery awards, the Edgar and Shamus are two of the top
awards and a double win is very impressive. Steve
Hamilton’s Webpage
|
|
|
So, Steve, welcome! I'm so glad
you could join us! Great website by the way!
|
|
Steve Hamilton
|
You're probably all wondering
why I called you here tonight …
|
|
|
Seriously, thanks. It's great
to be here.
|
|
|
On debate night yet.
|
|
|
You're all taping it, right?
|
|
Mary Rosenblum
|
Me, I'm waiting for the reruns!
|
|
|
It DID occur to me that we are
offering premium alternative entertainment and enlightenment here tonight!
|
|
Steve Hamilton
|
If you can call it that, yes.
|
|
Mary Rosenblum
|
So why don't you begin by
sharing a bit of your history with us? How did you get started in writing?
|
|
Steve Hamilton
|
Oy. Let's see. I really wanted
to be a writer as long as I can remember.
|
|
|
If you go back in time and ask
the 8-year-old me what he wanted to be when he grew up
|
|
|
he would say a writer, and
preferably a mystery writer. Seriously.
|
|
Mary Rosenblum
|
Really! You were much more specific
than I was. It was writer, but no particular genre!
|
|
Steve Hamilton
|
Well, I always loved reading
mysteries
|
|
|
and maybe once in a while I'd
think I had outgrown it, but I always went back.
|
|
|
Mostly because we've had so
many great, great writers in the field.
|
|
Mary Rosenblum
|
No kidding. That and SF have
always been my twin genres of choice.
|
|
|
I'm curious. Has writing
mystery spoiled your reading of it?
|
|
Steve Hamilton
|
Not really. I guess I can see
certain things coming more easily now.
|
|
|
Fortunately, there are still
enough good writers working, better than ever. It spoiled me for BAD
mysteries, I'll say that much.
|
|
janp
|
Do you recall any of the first
mysteries you read?
|
|
Steve Hamilton
|
First mysteries
|
|
|
I loved Hardy Boys, I'll
admit, and those Three Detectives kids
|
|
|
then Agatha Christie. And
ANYTHING with Alfred Hitchcock's name on it
|
|
|
I ate up those paperback
anthologies. Remember those?
|
|
Mary Rosenblum
|
Oh, I loved those and owned
them ALL!
|
|
|
And I have always loved Dame Agatha.
|
|
ashton
|
Who are your favorite mystery
writers now?
|
|
Steve Hamilton
|
Oh man. Let's see
|
|
|
Dennis Lehane, George Pelecanos,
James Crumley, Denise Mina
|
|
|
Lee Child I could go on
for a while.
|
|
arfelin
|
Hi Steve! Diane from Marquette here. Thanks
for coming! What sparked the idea for COLD DAY IN PARADISE?
|
|
Steve Hamilton
|
From Marquette! Well, as
far as the setting goes, you know how unique that part of the world is
|
|
|
I thought we had enough PI
stories set in NYC, LA, etc.
|
|
|
I thought it would be fun to
try something a little more out of the way
|
|
|
and with that lake there --
|
|
|
Lake Superior, which is really an inland sea, it is so incredibly
huge
|
|
|
and just like in that song
(sorry, it'll run through your head now)
|
|
|
it really does turn into a
monster in November.
|
|
|
I thought that would be a
great background for a hardboiled mystery.
|
|
Mary Rosenblum
|
You're right I can hear the
tune right now . But that was one of the things that caught my attention --
|
|
|
your setting. NOT one of the
major metropolitan areas, Alaska, etc. Good for you!
|
|
Steve Hamilton
|
Really, I'm getting my steps
mixed up a little bit .
|
|
|
The character came first, this
lonely, lonely guy who was living with something in his past .
|
|
|
I thought maybe he'd be in Detroit, because
that's the city I knew best.
|
|
|
But then I thought, no, he WAS
there, now he's by himself, in the loneliest place he could find,
|
|
|
which, if you're from Michigan, is
straight north.
|
|
Mary Rosenblum
|
That's cool.
|
|
|
I like that.
|
|
|
Did you intend this to be a
series when you first conceived of your original book?
|
|
Steve Hamilton
|
I barely could imagine it
being a BOOK, let alone a series.
|
|
|
But then as I got toward the
end, I thought maybe I could keep going .
|
|
|
But really, that was imagining
that the first one would actually do something.
|
|
|
I didn't think it WOULD do
anything, because I tried to write a PI story and failed.
|
|
|
It's not really a PI story at
all. He doesn't go out and solve a case, if you know what I mean.
|
|
|
He doesn't take somebody
else's problem as his own, like PI's do.
|
|
|
All these things happen to him
and he just holds on.
|
|
Mary Rosenblum
|
That is different. Maybe that's
what adds to his appeal? That this is not the 'cookie cutter PI novel'?
|
|
Steve Hamilton
|
Well, that's what happened, it
turns out. The failure was exactly the right thing.
|
|
|
It was something different.
|
|
Mary Rosenblum
|
And that is a sterling piece of
advice for our writer audience, Steve --
|
|
|
doing it 'differently' is not
necessarily the wrong tack to take!
|
|
Steve Hamilton
|
That's right. FAIL!
|
|
Mary Rosenblum
|
And that, too!
|
|
|
Rejection slips CAN be a good
thing! LOL
|
|
Steve Hamilton
|
But do it in spectacular,
original fashion.
|
|
Mary Rosenblum
|
There you go.
|
|
ashton
|
What advice can you give newbie
writers about the mystery world?
|
|
Steve Hamilton
|
Well, it's still a great place
to break in, that's the first thing .
|
|
|
If you're a writer, you have
to ask yourself a question early on:
|
|
|
Why am I writing?
|
|
|
Simple question, right?
|
|
|
But what's the real answer? You
have to be honest with yourself .
|
|
|
Are you writing because you
enjoy it, because it's something that you need to do?
|
|
|
I.E. Are you doing it for your
own --
|
|
|
what's the right word (that
doesn't sound hokey)?
|
|
|
Fulfillment?
|
|
Mary Rosenblum
|
That works.
|
|
Steve Hamilton
|
Something like that. Whatever
personal reason you have ,
|
|
|
if that's why you're writing,
then GREAT.
|
|
|
That's a great, great reason
to do it .
|
|
|
But if you honestly also want
to sell something
|
|
|
then now you have to think
backwards.
|
|
|
You have to
|
|
|
walk into the Barnes and Noble
and look around.
|
|
|
Look at what books are
actually selling.
|
|
|
It's maybe a crass,
cold-blooded way of looking at it
|
|
|
but if selling something is
honestly part of your motivation, you'd be a fool not to be aware of it, at
least.
|
|
|
So if you happen to love one
of the types of books that are selling
|
|
|
that's a great place to start.
Mysteries still sell pretty well, it turns out.
|
|
Mary Rosenblum
|
Good advice, Steve.
|
|
Steve Hamilton
|
Sorry, which doesn't really
answer the question.
|
|
|
It's just something I thought
I had to say first
|
|
|
because I still meet so many
writers who haven't honestly answered that question.
|
|
|
But if you do decide you want
to try to write a mystery
|
|
|
I'm assuming you already know
the field well.
|
|
|
So now you have to try to do
something that's unique.
|
|
|
And I'll cut right to what I
think is the best way to break in.
|
|
|
St. Martin's Press is still the one major publisher accepting the
most first time novelists
|
|
|
and they happen to have these
two 'contests' each year.
|
|
|
'Contests' is a lame word,
because it sounds like a sweepstakes or something.
|
|
|
It's just another way to get a
manuscript to an editor.
|
|
|
It's how I sold the first book
.
|
|
|
You can find out more at http://minotaurbooks.com/minotaur/faq.html
|
|
|
There, I'm done!
|
|
Mary Rosenblum
|
There are other publishers,
too, Berkeley, which is part of Putnam, is one, who are also very open to
new writers.
|
|
Steve Hamilton
|
Definitely! I don't mean to
make it sound like SMP is the only one.
|
|
|
Enough people are reading
mysteries.
|
|
|
And it takes a lot longer to
write one than to read one .
|
|
|
And there's ALWAYS room for a
good one.
|
|
Mary Rosenblum
|
And I think your 'ask yourself
why' question is one that is central to your personal success as a writer.
|
|
|
It's a question very few
writers ask themselves, I agree.
|
|
janp
|
What are your criteria for a
good mystery?
|
|
Steve Hamilton
|
Yow. Um.
|
|
|
Almost the same as a good book
in general.
|
|
|
It owns you by the end of the
first chapter, by the first page even.
|
|
|
You want to find out what
happens. And you care about the characters.
|
|
|
And the writing is either
wonderful, or at least doesn't get in the wa.y
|
|
|
It just has this 'drive' to
it. You need to keep reading.
|
|
Mary Rosenblum
|
Compelling, in other words?
|
|
Steve Hamilton
|
Absolutely.
|
|
ashton
|
With what did you first get your
writing feet wet? Books?
|
|
Steve Hamilton
|
Original helps, too.
|
|
|
When I graduated from college,
I told myself that I'd keep writing, even though I was starting a full-time
job at IBM.
|
|
|
Some years went by, and I
didn't keep that promise to myself.
|
|
|
It was a writers' group that
got me going again
|
|
|
and as I got back into it, I
was writing short stories.
|
|
|
I sold a couple of those, and
then decided to try the mystery novel.
|
|
|
So I really only did a couple
of stories, and then sorta skipped ahead.
|
|
|
I've only done a few stories
since, mostly when somebody asks me.
|
|
Mary Rosenblum
|
Are your short stories
mysteries?
|
|
Steve Hamilton
|
I've done both. The first I
sold was a mystery, the second a 'mainstream' or 'literary' or whatever you
want to call it.
|
|
|
Most since then have been
mysteries.
|
|
mitch gill
|
Steve I was wondering whether
you begin your writing with a problem (unsolved murder, secret, etc) or do
you start with characters in mind and let the story evolve?
|
|
Steve Hamilton
|
Well, in the first instance,
it was the character, Alex.
|
|
|
And then this situation sort
of became clear around him, this problem.
|
|
|
Now that I've been working in
the series, I know the character already
|
|
|
so I just start with something
that sounds like an interesting situation
|
|
|
like he's playing poker and a
bunch of guys break in and rob the place.
|
|
|
And then I just go!
|
|
|
No outline. No nothing.
|
|
Mary Rosenblum
|
Aha, that answers one question
someone asked about whether you outline.
|
|
Steve Hamilton
|
I wish I did. Really.
|
|
|
Because then I'd know where I
was, you know?
|
|
|
If I was lost or on track. If
I was halfway done or almost done .
|
|
|
But I just can't do it.
|
|
|
If I waited until I had my
outline, I'd still be working on the first book. Literally.
|
|
Mary Rosenblum
|
Whatever works!
|
|
Steve Hamilton
|
Exactly.
|
|
patchworkcat
|
What method do you use (if any)
to keep yourself straight on presenting clues and other details?
|
|
Steve Hamilton
|
Well, that's the kind of thing
you can get right as you go over it again
|
|
|
I write to find out what's
going to happen
|
|
|
And I'm as suprised (I hope)
as much as the reader will be
|
|
|
On rewrite, I try to get some
of the details right
|
|
|
(THAT'S usually when I do my
research, by the way )
|
|
|
And if something needs to be
planted early, I'll try to do that.
|
|
arfelin
|
How manys drafts do you usually
write?
|
|
Steve Hamilton
|
I write that first draft to
see what happens, like I said
|
|
|
Then I'll go over it a few
times Maybe, I don't know I'll guess --
|
|
|
Six, seven times?
|
|
paja
|
Do you do lots of research and
if so in what areas?
|
|
Steve Hamilton
|
A lot of times, I'll wait
until I know I'm going back to Michigan, say,
|
|
|
and then I'll make a point of
talking to people up there, particularly the Indians I know
|
|
|
(I call them Indians because
they tell me to, by the way ).
|
|
|
When I'm talking about someone
else's way of life, that's when I really have to make sure I'm accurate and
respectful
|
|
|
Other stuff, like guns and
medicine, I have my 'usual suspects' now --
|
|
|
my gun expert, my ER doc, etc.
|
|
Mary Rosenblum
|
So does the 'on location'
research take the most time?
|
|
Steve Hamilton
|
Well, I sort of combine that
with the trips I'm making back there anyway.
|
|
|
I'm going back on vacation
with my family, because it's such a great place.
|
|
|
And with so many great, great
bookstores up there
|
|
|
I'm naturally going to go back
every time a new book comes out.
|
|
Mary Rosenblum
|
Nothing like combining business
with pleasure!
|
|
Steve Hamilton
|
Why not?
|
|
|
Although my wife wants to know
why I never write about Hawaii.
|
|
Mary Rosenblum
|
LOL
|
|
ashton
|
Ho long did it take to write
your first book verses now?
|
|
Steve Hamilton
|
It's still most of a year,
then and now.
|
|
|
It hasn't gotten that much
easier, really .
|
|
|
I'll flatter myself and
imagine that I'm making sure it DOESN'T get easier, you know?
|
|
|
I don't want to get to the
point where I'm just mailing it in.
|
|
|
I can start to see now how you
COULD do that with a series character.
|
|
|
I hope I'm still trying to do
something new each time out.
|
|
|
(Like with the standalone I'm
doing now Hint hint.)
|
|
Mary Rosenblum
|
I hope so, too. I've stopped
reading a number of mystery series when the author seemed to start,
'mailing them in'. Oh, tell us about this standalone.
|
|
.
|
Different character?
|
|
Steve Hamilton
|
Ah, funny you should mention
that
|
|
|
Yeah, Dennis Lehane has a
great line:
|
|
|
Nobody ever said to an author,
'That twelfth book in your series, that was the BEST.'
|
|
|
Seriously, after six McKnight
books, it felt like I needed to try something new,
|
|
|
just for myself as a writer,
and maybe (if you go for writers talking like this)
|
|
|
for Alex, too. He's been
through a lot. Maybe he needs a break, too.
|
|
|
I'm doing something totally
different, still crime fiction, but set in New
York State,
|
|
|
with new characters.
|
|
|
I hope it'll make me better,
so I can go back to the Michigan series for the next book
|
|
|
And really kick some ass.
|
|
Mary Rosenblum
|
My hat is off to you. I think
it is very difficult for an author to take a break from a series that is
selling well, even when it is needed.
|
|
|
Good for you!
|
|
Steve Hamilton
|
Well, it doesn't hurt that
that's sort of the model right now
|
|
|
You establish a series, then
try to make that big break with the standalone --
|
|
|
Harlan Coben, Michael
Connelly, etc --
|
|
|
it's worked out well for them.
|
|
|
But of course you can't just
do it for that reason.
|
|
|
You can't just say, okay, it's
my turn to write a big blockbuster movie book.
|
|
|
Readers will see right through
that.
|
|
arfelin
|
Are you sure it's going to be a
stand alone. You do a good series. :-)
|
|
Steve Hamilton
|
One book! Then back to Alex.
|
|
tkat_2
|
How do you keep the creative
spark lit?
|
|
Steve Hamilton
|
I even have the title to the
next Alex book.
|
|
Mary Rosenblum
|
Which is???
|
|
Steve Hamilton
|
That's a great question
|
|
|
(A STOLEN SEASON)
|
|
|
Unless it changes. Half the
time, it does.
|
|
|
But the creative spark…
|
|
|
This is a tough one
|
|
|
because you can struggle with
it sometimes
|
|
|
you can try to FORCE it.
|
|
|
You can really go all out on a
book and feel like you're totally empty when you're done.
|
|
|
Somehow, the well always fills
back up.
|
|
|
It's kinda mysterious.
|
|
|
Mostly, and not to get too zen
here,
|
|
|
it happens when you stop
trying to make it happen.
|
|
|
It happens when you get out
there and do everything else you have to do in your life
|
|
|
instead of sitting in a room.
|
|
|
Your sub-conscious is always
working on it .
|
|
|
And then when you're taking a
shower …
|
|
|
bam, you get that little
something.
|
|
|
What would happen if …
|
|
|
And you're off.
|
|
mitch gill
|
Do you find yourself daydreaming
sometimes about the characters or the plot or do you just sit and write a
portion daily or..?
|
|
Steve Hamilton
|
The best part of being a
writer is that you're more or less allowed to daydream as much
|
|
|
as you'd be doing anyway.
|
|
|
I'm always sitting around
daydreaming or half-thinking about it.
|
|
|
When you know that you're
going to sit down at night and work
|
|
|
it's like you're telling that
part of yourself to have something ready by then.
|
|
|
So when it's time to work, you
have something.
|
|
roe
|
Is it possible that you may
return to the stand alone character at some point and do a sequel or begin
a new series?
|
|
Steve Hamilton
|
In this particular case, I
honestly don't know. More likely, I'll return to this setting.
|
|
|
The Hudson Valley has a lot of
stuff going on here now.
|
|
|
I think I could definitely
come back here for something else.
|
|
|
(But next, it's back to Alex!)
|
|
|
(He's got some stuff to do.)
|
|
Mary Rosenblum
|
I was about to ask do you feel
a sense of obligation to Alex to finish telling his story?
|
|
Steve Hamilton
|
I really do. Which sounds
funny, I know. I always used to be skeptical when I heard writers talk that
way:
|
|
|
The character wants to do this
or that, etc.
|
|
|
But now I'm starting to
understand. He's been through so much.
|
|
|
And there are people he still
has to track down some day.
|
|
Mary Rosenblum
|
How much of an overarching
story have you created in your mind, then, that your individual books might
refer to?
|
|
Steve Hamilton
|
If I have that, I'm sort of
feeling my way as I'm doing it. I can look back and see it, maybe.
|
|
|
But I don't know how conscious
of it I am when I'm actually writing.
|
|
|
I'm just trying to find out
what happens, like I said.
|
|
writeaway
|
Are the locations in your
stories real, or do you make up names?
|
|
Steve Hamilton
|
Almost all of them are real .
|
|
|
I'll make up the name of a
bar, like the Glasgow Inn
|
|
|
because there's no real place
like that in Paradise, Michigan.
|
|
|
Paradise NEEDS a good Scottish pub, like most other towns in America.
|
|
|
But you have to go to Scotland to find one.
|
|
|
I thought Alex should have a
place that he could go to every single night, you know?
|
|
|
Beyond that, let's see I
did make up the name of a small town on the coast of Lake Michigan
|
|
|
mostly because it ended up
being populated by total psychos.
|
|
|
I didn't want to piss off a
real town.
|
|
writeaway
|
Have you ever had anyone
complain that you wrote about their town?
|
|
Mary Rosenblum
|
I was going to ask, too, if any
Paradise
residents think they're characters in your novels?
|
|
Steve Hamilton
|
Nobody has complained that I
can think of, no. (And I've had plenty of other complaints in other areas,
believe me ).
|
|
Steve Hamilton
|
The people of Paradise totally love
it.
|
|
Mary Rosenblum
|
I bet they do. Nothing like a
little fame. :-)
|
|
paja
|
What kinds of complaints do you
get?
|
|
Steve Hamilton
|
Don't EVER get a gun detail
wrong.
|
|
|
(That's why I have my expert
now.)
|
|
|
That and little geography
things.
|
|
Mary Rosenblum
|
Oh, I know the gun detail thing
very well!
|
|
Steve Hamilton
|
Oh man.
|
|
Mary Rosenblum
|
I love the automatics with
clips that never empty, LOL
|
|
Steve Hamilton
|
The wrong ammo in the gun.
You're toast.
|
|
Mary Rosenblum
|
Or the ten shot revolvers.
|
|
Mary Rosenblum
|
It's about as bad as getting a
Civil War detail wrong in a book!
|
|
Steve Hamilton
|
I haven't gone there yet.
|
|
Mary Rosenblum
|
Don't not without some REALLY
good experts!
|
|
Steve Hamilton
|
I won't. I promise.
|
|
senicynt
|
What would you say is the best
way to throw out those 'red herrings'?
|
|
Mary Rosenblum
|
Yes, how do you keep your
readers guessing?
|
|
Steve Hamilton
|
Oy. That's a good one.
|
|
|
It's funny, because the
mystery field is so big now.
|
|
|
That's one of the great things
about it -- you can do anything.
|
|
|
And in the hardboiled field,
it's really not so much about the 'puzzle'.
|
|
|
Although of course it's good
to have that element of whodunit there.
|
|
|
But mostly I'll just find
things sort of accidentally.
|
|
|
Alex has to figure something
out, so I'll just work backwards.
|
|
|
And I hope I'll make it so
that you the reader see things at the same time he does
|
|
|
or maybe even a little before.
That's okay.
|
|
|
Of if not, then at least you
won't feel cheated by it.
|
|
paja
|
What does "hardboiled"
mean?
|
|
Mary Rosenblum
|
Maybe this is a good time for
you to talk a bit about the 'subgenres' in mystery?
|
|
Steve Hamilton
|
Well, yeah. Hardboiled is
typically a more violent, darker type of mystery.
|
|
|
The violence is often on stage
|
|
|
as opposed to discovering the
body in the drawing room.
|
|
|
The opposite, they usually
call 'cozy.'
|
|
Mary Rosenblum
|
Think Miss Marple.
|
|
Steve Hamilton
|
With no actual onstage
violence. The emphasis is on solving the crime.
|
|
|
And of course now they've got
to come up with new terms like 'medium-boiled.'
|
|
|
Somewhere in the middle.
|
|
catydorr
|
I have had some success with
mystery shorts, but wonder about sub-plots and how much to incorporate them
into the main story?
|
|
Mary Rosenblum
|
She means in novels, and not
short stories, Steve.
|
|
Steve Hamilton
|
Hmm, subplots.
|
|
|
As much as you can do just
about anything in crime fiction now
|
|
|
everything still has to serve
the story.
|
|
|
If you have a subplot 'thread'
|
|
|
that's great, as long as you
weave that into the main story itself.
|
|
|
It's really a case of feel
here. Every book is different.
|
|
|
But if it's not serving the
story, or doing it fairly soon anyway
|
|
|
it might be a distraction.
|
|
writeaway
|
Do you have someone to help with
the legal (or illegal) stuff your characters might do?
|
|
Steve Hamilton
|
I do have another friend who
was once the police chief in a small town near here.
|
|
|
He helps me with a lot of that
stuff.
|
|
Mary Rosenblum
|
There are books available, too,
written specifically for the mystery writer.
|
|
Steve Hamilton
|
Really, I'm more interested in
what's happening with the characters, anyway,
|
|
|
not so much the particulars of
the law.
|
|
|
Other writers go a lot further
into that stuff.
|
|
Mary Rosenblum
|
But you do need to get them
right, correct? If they come up?
|
|
Steve Hamilton
|
Exactly. Like anything,
you'd better get it right if you're going there.
|
|
ashton
|
Do you write better at night,
during the day? No preference?
|
|
Steve Hamilton
|
Absolutely, positively at
night.
|
|
|
Everybody goes to bed. Then I
start my other life.
|
|
|
I'll write from about 11 to 2 or so.
|
|
|
You can imagine the chances of
me making an 8:00 meeting the next day.
|
|
Mary Rosenblum
|
Be glad you don't milk cows,
LOL
|
|
Steve Hamilton
|
That wouldn't work at all.
|
|
ashton
|
Do you ever get a story idea
from a dream you've had?
|
|
Steve Hamilton
|
Umm, not so much an actual
story idea. More like a feeling maybe
|
|
|
I can't think of one offhand.
|
|
Mary Rosenblum
|
Where do you find most of your
ideas? The newspaper?
|
|
Steve Hamilton
|
Sometimes the paper. Real-life
crimes.
|
|
|
Mostly it's just what-if's I
keep asking myself
|
|
|
|