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Mary Rosenblum
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Hello, all, and welcome to our
regular Professional Connection live interview.
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Tonight we're visiting with
bestselling mystery author, Steve Hamilton.
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Steve Hamilton's first book, A
COLD DAY IN PARADISE, won both an Edgar and a Shamus award, and was a USA
Today Bestseller. The sixth book in the series, ICE RUN, came out in June,
2004. Steve lives in New York's Hudson Valley with his wife and two children.
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For those of you who are not
familiar with mystery awards, the Edgar and Shamus are two of the top
awards and a double win is very impressive. Steve
Hamilton’s Webpage
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So, Steve, welcome! I'm so glad
you could join us! Great website by the way!
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Steve Hamilton
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You're probably all wondering
why I called you here tonight …
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Seriously, thanks. It's great
to be here.
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On debate night yet.
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You're all taping it, right?
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Mary Rosenblum
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Me, I'm waiting for the reruns!
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It DID occur to me that we are
offering premium alternative entertainment and enlightenment here tonight!
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Steve Hamilton
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If you can call it that, yes.
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Mary Rosenblum
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So why don't you begin by
sharing a bit of your history with us? How did you get started in writing?
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Steve Hamilton
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Oy. Let's see. I really wanted
to be a writer as long as I can remember.
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If you go back in time and ask
the 8-year-old me what he wanted to be when he grew up
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he would say a writer, and
preferably a mystery writer. Seriously.
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Mary Rosenblum
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Really! You were much more specific
than I was. It was writer, but no particular genre!
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Steve Hamilton
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Well, I always loved reading
mysteries
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and maybe once in a while I'd
think I had outgrown it, but I always went back.
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Mostly because we've had so
many great, great writers in the field.
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Mary Rosenblum
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No kidding. That and SF have
always been my twin genres of choice.
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I'm curious. Has writing
mystery spoiled your reading of it?
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Steve Hamilton
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Not really. I guess I can see
certain things coming more easily now.
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Fortunately, there are still
enough good writers working, better than ever. It spoiled me for BAD
mysteries, I'll say that much.
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janp
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Do you recall any of the first
mysteries you read?
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Steve Hamilton
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First mysteries
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I loved Hardy Boys, I'll
admit, and those Three Detectives kids
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then Agatha Christie. And
ANYTHING with Alfred Hitchcock's name on it
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I ate up those paperback
anthologies. Remember those?
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Mary Rosenblum
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Oh, I loved those and owned
them ALL!
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And I have always loved Dame Agatha.
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ashton
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Who are your favorite mystery
writers now?
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Steve Hamilton
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Oh man. Let's see
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Dennis Lehane, George Pelecanos,
James Crumley, Denise Mina
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Lee Child I could go on
for a while.
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arfelin
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Hi Steve! Diane from Marquette here. Thanks
for coming! What sparked the idea for COLD DAY IN PARADISE?
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Steve Hamilton
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From Marquette! Well, as
far as the setting goes, you know how unique that part of the world is
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I thought we had enough PI
stories set in NYC, LA, etc.
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I thought it would be fun to
try something a little more out of the way
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and with that lake there --
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Lake Superior, which is really an inland sea, it is so incredibly
huge
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and just like in that song
(sorry, it'll run through your head now)
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it really does turn into a
monster in November.
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I thought that would be a
great background for a hardboiled mystery.
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Mary Rosenblum
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You're right I can hear the
tune right now . But that was one of the things that caught my attention --
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your setting. NOT one of the
major metropolitan areas, Alaska, etc. Good for you!
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Steve Hamilton
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Really, I'm getting my steps
mixed up a little bit .
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The character came first, this
lonely, lonely guy who was living with something in his past .
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I thought maybe he'd be in Detroit, because
that's the city I knew best.
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But then I thought, no, he WAS
there, now he's by himself, in the loneliest place he could find,
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which, if you're from Michigan, is
straight north.
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Mary Rosenblum
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That's cool.
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I like that.
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Did you intend this to be a
series when you first conceived of your original book?
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Steve Hamilton
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I barely could imagine it
being a BOOK, let alone a series.
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But then as I got toward the
end, I thought maybe I could keep going .
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But really, that was imagining
that the first one would actually do something.
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I didn't think it WOULD do
anything, because I tried to write a PI story and failed.
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It's not really a PI story at
all. He doesn't go out and solve a case, if you know what I mean.
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He doesn't take somebody
else's problem as his own, like PI's do.
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All these things happen to him
and he just holds on.
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Mary Rosenblum
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That is different. Maybe that's
what adds to his appeal? That this is not the 'cookie cutter PI novel'?
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Steve Hamilton
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Well, that's what happened, it
turns out. The failure was exactly the right thing.
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It was something different.
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Mary Rosenblum
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And that is a sterling piece of
advice for our writer audience, Steve --
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doing it 'differently' is not
necessarily the wrong tack to take!
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Steve Hamilton
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That's right. FAIL!
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Mary Rosenblum
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And that, too!
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Rejection slips CAN be a good
thing! LOL
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Steve Hamilton
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But do it in spectacular,
original fashion.
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Mary Rosenblum
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There you go.
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ashton
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What advice can you give newbie
writers about the mystery world?
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Steve Hamilton
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Well, it's still a great place
to break in, that's the first thing .
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If you're a writer, you have
to ask yourself a question early on:
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Why am I writing?
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Simple question, right?
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But what's the real answer? You
have to be honest with yourself .
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Are you writing because you
enjoy it, because it's something that you need to do?
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I.E. Are you doing it for your
own --
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what's the right word (that
doesn't sound hokey)?
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Fulfillment?
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Mary Rosenblum
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That works.
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Steve Hamilton
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Something like that. Whatever
personal reason you have ,
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if that's why you're writing,
then GREAT.
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That's a great, great reason
to do it .
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But if you honestly also want
to sell something
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then now you have to think
backwards.
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You have to
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walk into the Barnes and Noble
and look around.
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Look at what books are
actually selling.
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It's maybe a crass,
cold-blooded way of looking at it
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but if selling something is
honestly part of your motivation, you'd be a fool not to be aware of it, at
least.
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So if you happen to love one
of the types of books that are selling
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that's a great place to start.
Mysteries still sell pretty well, it turns out.
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Mary Rosenblum
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Good advice, Steve.
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Steve Hamilton
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Sorry, which doesn't really
answer the question.
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It's just something I thought
I had to say first
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because I still meet so many
writers who haven't honestly answered that question.
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But if you do decide you want
to try to write a mystery
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I'm assuming you already know
the field well.
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So now you have to try to do
something that's unique.
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And I'll cut right to what I
think is the best way to break in.
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St. Martin's Press is still the one major publisher accepting the
most first time novelists
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and they happen to have these
two 'contests' each year.
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'Contests' is a lame word,
because it sounds like a sweepstakes or something.
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It's just another way to get a
manuscript to an editor.
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It's how I sold the first book
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You can find out more at http://minotaurbooks.com/minotaur/faq.html
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There, I'm done!
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Mary Rosenblum
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There are other publishers,
too, Berkeley, which is part of Putnam, is one, who are also very open to
new writers.
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Steve Hamilton
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Definitely! I don't mean to
make it sound like SMP is the only one.
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Enough people are reading
mysteries.
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And it takes a lot longer to
write one than to read one .
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And there's ALWAYS room for a
good one.
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Mary Rosenblum
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And I think your 'ask yourself
why' question is one that is central to your personal success as a writer.
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It's a question very few
writers ask themselves, I agree.
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janp
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What are your criteria for a
good mystery?
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Steve Hamilton
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Yow. Um.
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Almost the same as a good book
in general.
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It owns you by the end of the
first chapter, by the first page even.
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You want to find out what
happens. And you care about the characters.
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And the writing is either
wonderful, or at least doesn't get in the wa.y
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It just has this 'drive' to
it. You need to keep reading.
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Mary Rosenblum
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Compelling, in other words?
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Steve Hamilton
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Absolutely.
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ashton
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With what did you first get your
writing feet wet? Books?
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Steve Hamilton
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Original helps, too.
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When I graduated from college,
I told myself that I'd keep writing, even though I was starting a full-time
job at IBM.
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Some years went by, and I
didn't keep that promise to myself.
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It was a writers' group that
got me going again
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and as I got back into it, I
was writing short stories.
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I sold a couple of those, and
then decided to try the mystery novel.
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So I really only did a couple
of stories, and then sorta skipped ahead.
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I've only done a few stories
since, mostly when somebody asks me.
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Mary Rosenblum
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Are your short stories
mysteries?
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Steve Hamilton
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I've done both. The first I
sold was a mystery, the second a 'mainstream' or 'literary' or whatever you
want to call it.
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Most since then have been
mysteries.
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mitch gill
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Steve I was wondering whether
you begin your writing with a problem (unsolved murder, secret, etc) or do
you start with characters in mind and let the story evolve?
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Steve Hamilton
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Well, in the first instance,
it was the character, Alex.
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And then this situation sort
of became clear around him, this problem.
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Now that I've been working in
the series, I know the character already
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so I just start with something
that sounds like an interesting situation
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like he's playing poker and a
bunch of guys break in and rob the place.
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And then I just go!
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No outline. No nothing.
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Mary Rosenblum
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Aha, that answers one question
someone asked about whether you outline.
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Steve Hamilton
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I wish I did. Really.
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Because then I'd know where I
was, you know?
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If I was lost or on track. If
I was halfway done or almost done .
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But I just can't do it.
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If I waited until I had my
outline, I'd still be working on the first book. Literally.
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Mary Rosenblum
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Whatever works!
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Steve Hamilton
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Exactly.
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patchworkcat
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What method do you use (if any)
to keep yourself straight on presenting clues and other details?
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Steve Hamilton
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Well, that's the kind of thing
you can get right as you go over it again
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I write to find out what's
going to happen
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And I'm as suprised (I hope)
as much as the reader will be
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On rewrite, I try to get some
of the details right
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(THAT'S usually when I do my
research, by the way )
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And if something needs to be
planted early, I'll try to do that.
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arfelin
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How manys drafts do you usually
write?
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Steve Hamilton
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I write that first draft to
see what happens, like I said
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Then I'll go over it a few
times Maybe, I don't know I'll guess --
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Six, seven times?
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paja
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Do you do lots of research and
if so in what areas?
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Steve Hamilton
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A lot of times, I'll wait
until I know I'm going back to Michigan, say,
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and then I'll make a point of
talking to people up there, particularly the Indians I know
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(I call them Indians because
they tell me to, by the way ).
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When I'm talking about someone
else's way of life, that's when I really have to make sure I'm accurate and
respectful
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Other stuff, like guns and
medicine, I have my 'usual suspects' now --
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my gun expert, my ER doc, etc.
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Mary Rosenblum
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So does the 'on location'
research take the most time?
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Steve Hamilton
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Well, I sort of combine that
with the trips I'm making back there anyway.
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I'm going back on vacation
with my family, because it's such a great place.
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And with so many great, great
bookstores up there
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I'm naturally going to go back
every time a new book comes out.
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Mary Rosenblum
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Nothing like combining business
with pleasure!
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Steve Hamilton
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Why not?
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Although my wife wants to know
why I never write about Hawaii.
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Mary Rosenblum
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LOL
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ashton
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Ho long did it take to write
your first book verses now?
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Steve Hamilton
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It's still most of a year,
then and now.
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It hasn't gotten that much
easier, really .
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I'll flatter myself and
imagine that I'm making sure it DOESN'T get easier, you know?
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I don't want to get to the
point where I'm just mailing it in.
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I can start to see now how you
COULD do that with a series character.
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I hope I'm still trying to do
something new each time out.
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(Like with the standalone I'm
doing now Hint hint.)
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Mary Rosenblum
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I hope so, too. I've stopped
reading a number of mystery series when the author seemed to start,
'mailing them in'. Oh, tell us about this standalone.
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Different character?
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Steve Hamilton
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Ah, funny you should mention
that
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Yeah, Dennis Lehane has a
great line:
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Nobody ever said to an author,
'That twelfth book in your series, that was the BEST.'
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Seriously, after six McKnight
books, it felt like I needed to try something new,
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just for myself as a writer,
and maybe (if you go for writers talking like this)
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for Alex, too. He's been
through a lot. Maybe he needs a break, too.
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I'm doing something totally
different, still crime fiction, but set in New
York State,
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with new characters.
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I hope it'll make me better,
so I can go back to the Michigan series for the next book
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And really kick some ass.
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Mary Rosenblum
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My hat is off to you. I think
it is very difficult for an author to take a break from a series that is
selling well, even when it is needed.
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Good for you!
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Steve Hamilton
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Well, it doesn't hurt that
that's sort of the model right now
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You establish a series, then
try to make that big break with the standalone --
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Harlan Coben, Michael
Connelly, etc --
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it's worked out well for them.
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But of course you can't just
do it for that reason.
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You can't just say, okay, it's
my turn to write a big blockbuster movie book.
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Readers will see right through
that.
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arfelin
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Are you sure it's going to be a
stand alone. You do a good series. :-)
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Steve Hamilton
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One book! Then back to Alex.
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tkat_2
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How do you keep the creative
spark lit?
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Steve Hamilton
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I even have the title to the
next Alex book.
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Mary Rosenblum
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Which is???
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Steve Hamilton
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That's a great question
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(A STOLEN SEASON)
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Unless it changes. Half the
time, it does.
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But the creative spark…
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This is a tough one
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because you can struggle with
it sometimes
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you can try to FORCE it.
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You can really go all out on a
book and feel like you're totally empty when you're done.
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Somehow, the well always fills
back up.
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It's kinda mysterious.
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Mostly, and not to get too zen
here,
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it happens when you stop
trying to make it happen.
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It happens when you get out
there and do everything else you have to do in your life
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instead of sitting in a room.
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Your sub-conscious is always
working on it .
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And then when you're taking a
shower …
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bam, you get that little
something.
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What would happen if …
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And you're off.
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mitch gill
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Do you find yourself daydreaming
sometimes about the characters or the plot or do you just sit and write a
portion daily or..?
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Steve Hamilton
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The best part of being a
writer is that you're more or less allowed to daydream as much
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as you'd be doing anyway.
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I'm always sitting around
daydreaming or half-thinking about it.
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When you know that you're
going to sit down at night and work
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it's like you're telling that
part of yourself to have something ready by then.
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So when it's time to work, you
have something.
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roe
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Is it possible that you may
return to the stand alone character at some point and do a sequel or begin
a new series?
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Steve Hamilton
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In this particular case, I
honestly don't know. More likely, I'll return to this setting.
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The Hudson Valley has a lot of
stuff going on here now.
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I think I could definitely
come back here for something else.
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(But next, it's back to Alex!)
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(He's got some stuff to do.)
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Mary Rosenblum
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I was about to ask do you feel
a sense of obligation to Alex to finish telling his story?
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Steve Hamilton
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I really do. Which sounds
funny, I know. I always used to be skeptical when I heard writers talk that
way:
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The character wants to do this
or that, etc.
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But now I'm starting to
understand. He's been through so much.
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And there are people he still
has to track down some day.
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Mary Rosenblum
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How much of an overarching
story have you created in your mind, then, that your individual books might
refer to?
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Steve Hamilton
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If I have that, I'm sort of
feeling my way as I'm doing it. I can look back and see it, maybe.
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But I don't know how conscious
of it I am when I'm actually writing.
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I'm just trying to find out
what happens, like I said.
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writeaway
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Are the locations in your
stories real, or do you make up names?
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Steve Hamilton
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Almost all of them are real .
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I'll make up the name of a
bar, like the Glasgow Inn
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because there's no real place
like that in Paradise, Michigan.
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Paradise NEEDS a good Scottish pub, like most other towns in America.
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But you have to go to Scotland to find one.
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I thought Alex should have a
place that he could go to every single night, you know?
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Beyond that, let's see I
did make up the name of a small town on the coast of Lake Michigan
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mostly because it ended up
being populated by total psychos.
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I didn't want to piss off a
real town.
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writeaway
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Have you ever had anyone
complain that you wrote about their town?
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Mary Rosenblum
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I was going to ask, too, if any
Paradise
residents think they're characters in your novels?
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Steve Hamilton
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Nobody has complained that I
can think of, no. (And I've had plenty of other complaints in other areas,
believe me ).
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Steve Hamilton
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The people of Paradise totally love
it.
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Mary Rosenblum
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I bet they do. Nothing like a
little fame. :-)
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paja
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What kinds of complaints do you
get?
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Steve Hamilton
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Don't EVER get a gun detail
wrong.
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(That's why I have my expert
now.)
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That and little geography
things.
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Mary Rosenblum
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Oh, I know the gun detail thing
very well!
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Steve Hamilton
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Oh man.
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Mary Rosenblum
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I love the automatics with
clips that never empty, LOL
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Steve Hamilton
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The wrong ammo in the gun.
You're toast.
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Mary Rosenblum
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Or the ten shot revolvers.
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Mary Rosenblum
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It's about as bad as getting a
Civil War detail wrong in a book!
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Steve Hamilton
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I haven't gone there yet.
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Mary Rosenblum
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Don't not without some REALLY
good experts!
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Steve Hamilton
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I won't. I promise.
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senicynt
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What would you say is the best
way to throw out those 'red herrings'?
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Mary Rosenblum
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Yes, how do you keep your
readers guessing?
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Steve Hamilton
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Oy. That's a good one.
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It's funny, because the
mystery field is so big now.
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That's one of the great things
about it -- you can do anything.
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|
|
And in the hardboiled field,
it's really not so much about the 'puzzle'.
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|
Although of course it's good
to have that element of whodunit there.
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But mostly I'll just find
things sort of accidentally.
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Alex has to figure something
out, so I'll just work backwards.
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And I hope I'll make it so
that you the reader see things at the same time he does
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or maybe even a little before.
That's okay.
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Of if not, then at least you
won't feel cheated by it.
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paja
|
What does "hardboiled"
mean?
|
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Mary Rosenblum
|
Maybe this is a good time for
you to talk a bit about the 'subgenres' in mystery?
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Steve Hamilton
|
Well, yeah. Hardboiled is
typically a more violent, darker type of mystery.
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|
The violence is often on stage
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as opposed to discovering the
body in the drawing room.
|
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|
The opposite, they usually
call 'cozy.'
|
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Mary Rosenblum
|
Think Miss Marple.
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Steve Hamilton
|
With no actual onstage
violence. The emphasis is on solving the crime.
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|
And of course now they've got
to come up with new terms like 'medium-boiled.'
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|
Somewhere in the middle.
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catydorr
|
I have had some success with
mystery shorts, but wonder about sub-plots and how much to incorporate them
into the main story?
|
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Mary Rosenblum
|
She means in novels, and not
short stories, Steve.
|
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Steve Hamilton
|
Hmm, subplots.
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|
As much as you can do just
about anything in crime fiction now
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|
everything still has to serve
the story.
|
|
|
If you have a subplot 'thread'
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|
that's great, as long as you
weave that into the main story itself.
|
|
|
It's really a case of feel
here. Every book is different.
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|
But if it's not serving the
story, or doing it fairly soon anyway
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|
it might be a distraction.
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writeaway
|
Do you have someone to help with
the legal (or illegal) stuff your characters might do?
|
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Steve Hamilton
|
I do have another friend who
was once the police chief in a small town near here.
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|
|
He helps me with a lot of that
stuff.
|
|
Mary Rosenblum
|
There are books available, too,
written specifically for the mystery writer.
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Steve Hamilton
|
Really, I'm more interested in
what's happening with the characters, anyway,
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|
|
not so much the particulars of
the law.
|
|
|
Other writers go a lot further
into that stuff.
|
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Mary Rosenblum
|
But you do need to get them
right, correct? If they come up?
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Steve Hamilton
|
Exactly. Like anything,
you'd better get it right if you're going there.
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|
ashton
|
Do you write better at night,
during the day? No preference?
|
|
Steve Hamilton
|
Absolutely, positively at
night.
|
|
|
Everybody goes to bed. Then I
start my other life.
|
|
|
I'll write from about 11 to 2 or so.
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|
|
You can imagine the chances of
me making an 8:00 meeting the next day.
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Mary Rosenblum
|
Be glad you don't milk cows,
LOL
|
|
Steve Hamilton
|
That wouldn't work at all.
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|
ashton
|
Do you ever get a story idea
from a dream you've had?
|
|
Steve Hamilton
|
Umm, not so much an actual
story idea. More like a feeling maybe
|
|
|
I can't think of one offhand.
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|
Mary Rosenblum
|
Where do you find most of your
ideas? The newspaper?
|
|
Steve Hamilton
|
Sometimes the paper. Real-life
crimes.
|
|
|
Mostly it's just what-if's I
keep asking myself
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|
|
What if someone you loved just
disappeared one day?
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|
|
Something like that.
|
|
|
One little thing. Then what
happens next.
|
|
janp
|
Do you use a preset words per
day schedule?
|
|
Steve Hamilton
|
When I'm going, I'll just work
every night, and I'll know if I did enough. It's not exactly word counts.
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|
|
But roughly, I'd say about a
thousand words a night.
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|
On average.
|
|
ashton
|
Do you do your research with
online tools as well?
|
|
Steve Hamilton
|
Oh yeah, I'm always googling
stuff. It's a great way to avoid the writing, too.
|
|
|
Like, where exactly is this
place? How long would it take him to get there?
|
|
Mary Rosenblum
|
I'm laughing. Google is the
greatest writing sinkhole there is although it IS a great research tool.
|
|
Steve Hamilton
|
What kind of ice cutting tool
would that guy use to kill somebody?
|
|
arfelin
|
Are you going to use first
person POV in your stand alone? Do you think there's a trend towards first
person?
|
|
Steve Hamilton
|
I wrote six books in first
person, and I know I'm more comfortable with that POV.
|
|
|
But the standalone is third
person, which is a big change. But it lets you do something bigger, if you
know what I mean.
|
|
|
Overall, yeah, I suppose we're
seeing more first person.
|
|
Mary Rosenblum
|
First person is a more
traditional voice for hardboiled PI fiction, isn't it? A la Raymond
Chandler?
|
|
Steve Hamilton
|
I'm not even sure why.
|
|
|
Yes, definitely. It works
great for that.
|
|
Mary Rosenblum
|
Which do you like better?
First, I assume?
|
|
Steve Hamilton
|
I personally feel at home
there, yes.
|
|
|
You can switch in and out of
thoughts so well.
|
|
Mary Rosenblum
|
Definitely. Did you feel at all
awkward tackling a third person novel after six in first person?
|
|
Steve Hamilton
|
I thought I would, but it
wasn't as bad as I thought it would be.
|
|
|
You can still get pretty close
to the character if you want to.
|
|
|
I'm still doing limited
omniscient POV (mangled that spelling) .
|
|
|
Really telling the story from
one person's point of view in each chapter.
|
|
Mary Rosenblum
|
Everybody has a personal
preference in voice, I think. :-)
|
|
Steve Hamilton
|
Sure, like most things.
|
|
senicynt
|
Hi, Mysteries, PI's, serial killers
Just how do those 'buried under the floorboards and the backyard'
serial murders get discovered anyway? All we hear in the newspapers is that
bodies were discovered, not how they were found. :-)
|
|
Steve Hamilton
|
Hmm, you want real life
details here? I know of a couple of cases.
|
|
|
It ain't pretty, believe me.
|
|
|
Basically, a dead body doesn't
keep real well.
|
|
|
It happened right here in a
town down the river,
|
|
|
just down the street from
where I lived one summer.
|
|
|
A hot summer. Well, you
get the idea. It became sort of obvious.
|
|
Mary Rosenblum
|
Someone didn't do a good job of
burial, huh?
|
|
Steve Hamilton
|
Ah, well this case was in the
basement
|
|
|
If you're talking in the
backyard,
|
|
|
mostly that's just connecting
the dots to eventually get to that person
|
|
|
when they finally make a
mistake. Then they just go to the house, suspecting the worst.
|
|
Mary Rosenblum
|
The local back-yard burials
around here were found because the killer was a suspect and they eventually
got a warrant to dig.
|
|
Steve Hamilton
|
Can you imagine having to
serve that search warrant?
|
|
Mary Rosenblum
|
My son was on a couple of those
'evidence search' teams.
|
|
Steve Hamilton
|
Yowza.
|
|
ashton
|
Where do you go when you can't
find the information you need?
|
|
|
I mean, is it possible to just
go to the police station and ask?
|
|
Steve Hamilton
|
Well, sure. I think if you did
it the right way, you could walk right in and ask them.
|
|
|
Tell them you're a writer
(having a card or even better a book would help), tell them you have a
couple of questions.
|
|
|
Like most people, cops love to
talk about what they do.
|
|
Mary Rosenblum
|
I've done that several times.
The police tend to be a bit suspicious, but once they decide you really ARE
a writer they seem much more interested in having you get the details right
than anything else.
|
|
Steve Hamilton
|
Right, once you get over that
initial barrier.
|
|
|
Exactly.
|
|
Mary Rosenblum
|
And have been a font of
information.
|
|
paja
|
How can you research/know about
crime/violence and not become afraid?
|
|
Steve Hamilton
|
Well, that's a good question,
but you know, just reading the paper
|
|
|
you see all these horrible
things happening anyway.
|
|
|
At least when you're writing
about it, you sort of try to make some sense of it in a way
|
|
|
and put it in its place, at
least in a fictional world.
|
|
|
Bring some order to the chaos,
if only in your imagination.
|
|
|
It actually makes you feel a
lot better about it.
|
|
|
I've noticed that the people
who write the darkest, most violent books
|
|
|
are usually the happiest,
nicest, most well-adjusted people around.
|
|
|
Maybe because they get to kill
people they don't like.
|
|
|
Sue Grafton, who is a complete
sweetheart in person
|
|
|
got her first book done that
way. She wrote about murdering her ex-husband.
|
|
Mary Rosenblum
|
I'm laughing! What a GREAT way
to sell a first book and stay out of prison at the same time!
|
|
Steve Hamilton
|
Whatever works!
|
|
Mary Rosenblum
|
Actually, I know quite a few
horror writers and what you say is true. They are very nice, well adjusted
folk.
|
|
Steve Hamilton
|
They work it out.
|
|
janp
|
Do you feel that you and Alex
share some characteristics? Good, of course.
|
|
Steve Hamilton
|
You know, it's funny how
different we really are.
|
|
|
I honestly don't know where he
came from.
|
|
|
He's actually a little older
than I am, which I found out was pretty rare.
|
|
|
I'd say maybe there's more of
my father in him than me, if that makes any sense.
|
|
|
An old ballplayer, a totally
practical person, with a slightly tough exterior --
|
|
|
but the most loyal friend in
the world.
|
|
|
Okay, the loyal part. We have
that in common.
|
|
Mary Rosenblum
|
He sounds cool. I ordered a
copy of your latest book. I haven't started a new hardboiled series in
quite some time and I enjoy the good ones.
|
|
Steve Hamilton
|
Well, thanks. Alex gets beat
up a lot, though.
|
|
|
He's a real fool sometimes.
|
|
Mary Rosenblum
|
Most of them do. :-) An ER doc
friend of mine and I cleared an elevator car once as we discussed how to
damage a character without disabling him.
|
|
|
Lots of eavesdroppers, I guess.
|
|
Steve Hamilton
|
Yikes. Yeah, my uncle is an ER
doc.
|
|
ashton
|
How do you stay upbeat when
people trash your work?
|
|
Steve Hamilton
|
Ah! Well now
|
|
|
The first couple of times, it
hurts.
|
|
|
Then you just say, the hell
with them. What do they know?
|
|
|
Seriously. You just get used
to it.
|
|
Mary Rosenblum
|
Yep. I know that response. :-)
It's a good one.
|
|
Steve Hamilton
|
Ultimately, what does it
matter?
|
|
|
They don't like it.
|
|
|
SOMEBODY has to not like it,
or you wouldn't be doing your job.
|
|
Mary Rosenblum
|
And ultimately, you are not
writing for them. You are writing for the rest of your readers.
|
|
Steve Hamilton
|
Sure.
|
|
Mary Rosenblum
|
And mostly, yourself.
|
|
Steve Hamilton
|
Ultimately, yes.
|
|
jr souza jr
|
Who bought your first few short
stories
|
|
Steve Hamilton
|
Let's see, the very first one
was this cool little magazine called PIRATE WRITINGS. Ever hear of it?
|
|
Mary Rosenblum
|
I know that one! It's quite
good.
|
|
Steve Hamilton
|
Sort of mystery and horror and
SF, a lot of cross genre stuff..
|
|
|
I got for it! That was
something.
|
|
mercy1
|
How has Hitchcock influenced
your writing style?
|
|
Steve Hamilton
|
In Hitchcock's movies, he
understood one thing.
|
|
|
Well, he understood a lot of
things, but one thing really stuck with me --
|
|
|
there is nothing more
suspenseful than NOTHING HAPPENING.
|
|
|
I've always loved that. When
you can make that work.
|
|
Mary Rosenblum
|
Want to explain that?
|
|
Steve Hamilton
|
You remember the Birds?
|
|
Mary Rosenblum
|
Oh yes one of his best.
|
|
|
It scared the pants off me,
first time I saw it.
|
|
Steve Hamilton
|
What was more suspenseful,
when the birds were attacking the house? Or when the people
|
|
|
were WAITING for the birds to
attack the house?
|
|
Mary Rosenblum
|
I agree. Some of the scariest
stuff is not the monster, but the shadow under the bed.
|
|
Steve Hamilton
|
Right.
|
|
Mary Rosenblum
|
HP Lovecraft does that you
never see the creatures. But I won't read him in an empty, spooky building!
|
|
Steve Hamilton
|
Oh yeah. I forgot about those
stories. Those were something.
|
|
Mary Rosenblum
|
I was working alone one rainy
night in a huge, empty research facility full of blinking lights and
humming machines. BAD choice of reading material, let me tell you!
|
|
Steve Hamilton
|
I can imagine.
|
|
paja
|
Were you encouraged in your
writing as a child?
|
|
Mary Rosenblum
|
As that eight year old?
|
|
Steve Hamilton
|
Sure, I think so. Both my
parents encouraged that. And my teachers. It was really in high school
|
|
|
that I found my first writing
teacher who really wanted to help me see what I could do.
|
|
Mary Rosenblum
|
That's cool. That kind of
teacher is priceless.
|
|
Steve Hamilton
|
She just showed up at an
event, the last time I was in Michigan.
|
|
|
I hadn't seen her since high school.
|
|
Mary Rosenblum
|
How great!
|
|
Steve Hamilton
|
What a great surprise.
|
|
Mary Rosenblum
|
Before we run out of time and
you choose our winner of your book that you are so generously giving away
|
|
Steve Hamilton
|
Uh-huh?
|
|
Mary Rosenblum
|
want to tell us a bit about
your stand alone? Is it that far along? Whet our appetites?
|
|
Steve Hamilton
|
(Me choose?)
|
|
|
Last year, my wife had a sore
throat that turned into something serious, and she ended up in the hospital
|
|
|
for like ten days, which these
days is amazing.
|
|
|
She's totally fine now, by the
way.
|
|
Mary Rosenblum
|
That IS serious ten days.
|
|
Steve Hamilton
|
But I was home with the kids
(4 and 9) for all that time, keeping things together
|
|
|
while at the same time
worrying about her.
|
|
|
I have never felt so totally wrung
out.
|
|
|
A year later, now that's
everything is great and she's fine
|
|
|
I still remember that feeling,
|
|
|
and that's really all I need
to try to start a story.
|
|
|
What if someone like me was
just holding things together, barely holding on
|
|
|
but because of a more serious
reason?
|
|
|
Something mysterious?
|
|
|
Like instead of being in the
hospital
|
|
|
his wife was just…
|
|
|
Gone?
|
|
Mary Rosenblum
|
Aha.
|
|
|
Sounds like a solid start.
|
|
Steve Hamilton
|
We'll see!
|
|
Mary Rosenblum
|
So you have a release date yet,
or is this early in the process?
|
|
Steve Hamilton
|
I'm about half done.
|
|
|
So maybe it’ll be out
late next year.
|
|
Mary Rosenblum
|
We'll watch for it.
|
|
Steve Hamilton
|
Oh, and my web maven would
kill me if I didn't mention the web site
|
|
|
You can sign up for the
newsletter there, too.
|
|
Mary Rosenblum
|
Your website is great.
|
|
|
Steve Hamilton's
great website
|
|
Steve Hamilton
|
Maggie does Lee Child's site,
and Lawrence Block's, too.
|
|
|
And T Jefferson Parker.
|
|
Mary Rosenblum
|
She did a very nice job.
|
|
Steve Hamilton
|
She's the best.
|
|
Mary Rosenblum
|
So what one piece of advice
would you give every aspiring writer, Steve?
|
|
Steve Hamilton
|
Besides the bit about failing
the right way?
|
|
|
One thing, a little more
technical…
|
|
|
The best thing I've ever heard
in the way of advice:
|
|
|
Don't put words in your
characters' mouths.
|
|
|
LISTEN to what they say. Then
write it down.
|
|
Mary Rosenblum
|
Good way to put it.
|
|
|
You done good, Steve!
|
|
|
We'll let you go write, and
thank you so much for joining us.
|
|
Steve Hamilton
|
This was a lot of fun!
|
|
Mary Rosenblum
|
People would love it!
|
|
|
Feel free, Steve!
|
|
Steve Hamilton
|
I'm there.
|
|
Mary Rosenblum
|
Thanks for coming all! And
thank you, Steve!
|