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Mary Rosenblum
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Hello, all!
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Welcome to our regular Thursday
Professional Connection with T.C. McMullen, Senior Editor of Crimson
Dagger, an online mystery 'zine
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as well as thriller author!
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T.C. McMullen is Senior Editor
of Crimson Dagger, a new online mystery magazine which includes articles on
the art of mystery writing as well as short stories to tickle the senses.
She also edits for two publishers, Jada Press, and Star Publish and does
book cover design and interior formatting as well. She is also the author
of five novels, including The Manipulated Evil trilogy set for conclusion
September 2005.
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TC, welcome!
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T.C. McMullen
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Hi Mary and all, thanks for
having me
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Mary Rosenblum
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I must say, I was particularly
pleased at being able to invite someone who wears both writer and editor
hat!
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So tell us how you got here?
Just how did you get started in the writing world?
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T.C. McMullen
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I've always written stories
from as far back as I can remember
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I started thinking of it as a
career after graduating high school.
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I found Long Ridge through a
friend, submitted and then enrolled with them. Everything snowballed from
that point.
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Mary Rosenblum
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You know, it is particularly
cool that you're a LR grad! Did you publish while you were a student?
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T.C. McMullen
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No, I didn't publish as a
student.
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I had my two daughters while
enrolled and they took most of my time.
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I didn't actually publish
until 2002 when Booklocker published my first novel.
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Mary Rosenblum
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So you went straight into book
length work? No short stories first?
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T.C. McMullen
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I wrote short stories and did
submit a few, but my heart was more with the long fiction.
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capd
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What genre was your book?
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T.C. McMullen
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My first was a psychological
thriller I first submitted to an agency in 1997.
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That is when I first delved
into the publishing world and started researching.
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In 2001 I bought my first
computer and searched out the best ways to reach my individual goals. Booklocker
was a great start for me.
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Mary Rosenblum
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I'm not familiar with them. Are
they one of the smaller publishers, or an imprint of one of the big NY
houses?
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T.C. McMullen
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They are a small publisher who
uses print on demand though they are one of the few who scan submissions
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They were another step in my
learning experience
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Mary Rosenblum
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There are quite a few good
small-press publishers out there. The new Print on Demand technology has
allowed small publishers to actually make a profit.
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T.C. McMullen
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Very true Mary
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wingedwarrior24
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What does 'scan submissions'
mean?
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T.C. McMullen
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They don't publish just
anything. They do look for quality.
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Mary Rosenblum
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Do let me make the distinction
between 'print on demand' as a small-run publishing technology used by
quality small press publishers, and print on demand houses like iUniverse
that DO publish anything and charge a fee to do so.
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T.C. McMullen
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Correct. But charging a fee
isn't the red flag it used to be either.
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Some good small presses do
select books to publish but must charge a fee to cover the cost of
production. But many of them also offer extremely high royalties, some as
much as 100%
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Mary Rosenblum
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And when they scan submissions?
Does that mean you can send them a printed page instead of an electronic
file?
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That's the only definition of
'scan' that I'm familiar with.
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T.C. McMullen
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Most that I know will take
either or. Electronic is faster and easier for both parties these days.
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capd
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When did you take the LR class?
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T.C. McMullen
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I took the Breaking Into Print
Course from home
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from 1993- 1995
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Mary Rosenblum
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Long before my time here. :-)
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So how did your path lead from
publishing to the editorial side of the desk?
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T.C. McMullen
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It has been a few years :-)
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I discovered a group of
authors published untraditionally shortly after Whispers of Insanity was
published.
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The book itself gained
attention. It was through that group that I was offered a job as Senior
Editor.
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Mary Rosenblum
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Wow, cool! That was with Booklocker?
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T.C. McMullen
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Yes, it was.
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roe
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Did you have an agent with your
first book?
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T.C. McMullen
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At one point I did. But after
much researching into contracts and such, I chose to take everything into
my own hands.
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I wanted to control my work.
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Mary Rosenblum
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That's much more doable with
the small presses. NOT a good idea with a New
York giant!
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T.C. McMullen
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Exactly, Mary!
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gwanny
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Has your course at LR served you
well in your career?
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T.C. McMullen
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Yes it has. My instructor
opened my eyes to so many aspects, such as plot and logistics, that I had
never thought of before
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Mary Rosenblum
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That's great
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brpeterson
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I'm having problems keeping
short stories short. Any tips?
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Mary Rosenblum
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Did you have trouble with short
stories, seeing as you're a novel writer by choice?
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T.C. McMullen
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Well... that was my problem
too, hence the book length
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but I've learned over the
years, keep focused on exactly why you are telling the story.
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Decide exactly what you need
to do to tell it
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and cut back on subplots
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tkat_2
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Did you learn to edit while
writing your first novel or did that come later?
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T.C. McMullen
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My last assignment with Long
Ridge was actually a part of my first novel.
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I did learn to edit with my
first novel.
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I studied everything I could
get my hand on and I also worked with an editor.
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I learned how to better spot
and control possible problems such as passive voice.
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speckledorf
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Do you find being a writer makes
you a better editor or vice versa?
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T.C. McMullen
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I think it does.
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I work on my first draft in
"author mode".
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Then when I look over it a
second time, I slip on the editors hat...
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becaue of my experience
editing, I can often spot problems in my own work before my editor sees it.
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And as for being and editor...
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I can see other people's work
from both sides - this enables me to possibly see what they are wanting to
accomplish with a story...
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and I can then help them
improve places that may need help yet still keep their story true to them -
hopefully not inflicting too much of myself into their tale
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Mary Rosenblum
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I think it's always true that
you can see how to fix someone else's work before you can see the problems
with your own...but it's a great way to see YOUR problems sooner!
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T.C. McMullen
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It works for me because I
truly am my own worst critic lol
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Mary Rosenblum
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So how did you take the step
from working for Global Authors Publications to Crimson Dagger? How did
that come about?
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T.C. McMullen
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My experience at G.A.P. made
me known.
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When the publisher of Crimson
Dagger started the magazine, she approached me. And we had mutual
acquaintances.
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Mary Rosenblum
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And am I right that Crimson
Dagger isn't gone forever, just taking time off?
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T.C. McMullen
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Crimson Dagger is gone, as far
as I know. I do have plans of starting my own Ezine in the future, but it
will be different from Crimson Dagger.
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I plan on having more genres
included
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Mary Rosenblum
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Ah, that's too bad about
Crimson Dagger...not many mystery markets out there!
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But a multi-genre 'zine sounds
good!
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T.C. McMullen
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No, there aren’t. I plan on
keeping mystery, but also incorporating horror, speculative fiction - the
darker genres
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Mary Rosenblum
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Great!
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roe
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Hi TC glad you could join us,
Can you tell us the biggest mistake new writers make when submitting?
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T.C. McMullen
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The biggest would have to be
not choosing the right market.
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This is also the hardest thing
to get just right.
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Much research has to be done,
and a beginning author needs to learn how to see their work from an outside
perspective.
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They need to see if what they
are trying to accomplish with a tale or article is actually what they are
accomplishing with the finished product.
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Often times, beginners think
they've written something so clear and perfect for a market
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but often times it's not so.
We authors tend to sit too near our stories sometimes to view them
objectively.
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Mary Rosenblum
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Oh, no kidding! I think you've
really put your finger on something here, TC...that what you THINK you are
doing with your article or story may not be what others are reading!
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T.C. McMullen
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Exactly! I've learned that by
how many different responses I've gotten to my own works.
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Some readers will see
something totally different from what I was actually trying to do.
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Mary Rosenblum
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So what do you suggest writers
do in order to figure out if what they THINK they're writing matches what
they ARE writing?
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T.C. McMullen
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It's always good to let a
story sit for at least a week or so to gain some distance from it...
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I don't know exactly how to
suggest doing it, but I always try to pretend I'm someone who just picked up
the work
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and I ask myself questions -
does it say anything to the new reader?
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Is it clear, answering the
important questions?
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Does it invoke emotion and
draw readers into character and plot (fiction) or information
(non-fiction)?
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It’s not easy to do for your
own work though. Sometimes outside opinions help - if they are honest ones.
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Mary Rosenblum
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That is a very good check list
for anyone.
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And I do think good readers
help...do you use readers regularly? Exchange critiques?
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T.C. McMullen
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Yes, I do. At least three
others read my novels before a finished draft.
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They are able to spot holes in
plot, characterization etc. That I miss - because I know what's going on,
sometimes it's easy to miss things.
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Others will see these holes
and then I can fix the problems.
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gwanny
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Are your readers pros? Friends?
Family?
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T.C. McMullen
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They are all friends now :) I
have a secretary/avid reader who is also a relative who pushes me the
hardest to get it all right.
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I also have a fellow author
who knows the ropes... and another relative proofreads when I can't look at
things anymore.
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gwanny
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So, how can you be sure you are
targeting the right market?
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T.C. McMullen
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You need to know exactly who
your piece targets - who will want or need to read it.
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After you can concisely answer
that, you need to find where those people are - what magazines they are
choosing.
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Then you need to find out what
market is most likely to be interested in what you've written - your style,
topic etc.
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Mary Rosenblum
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This is good advice for both
fiction and nonfiction!
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T.C. McMullen
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yes, the two often overlap
with marketing techniques
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brpeterson
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What are editors looking for
when they open a manuscript?
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T.C. McMullen
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I can only speak for myself
here - I look for something that grabs my interest with the first few
lines.
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I look for skill in writing -
use of words, readability.
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I look for pieces that will
teach or show readers something new and I look for what will work best for
an issue.
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Mary Rosenblum
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How do you decide what story
belongs in which issue? Do you have a theme for each one?
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T.C. McMullen
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I found it easier to try and
link things together - yes, a sort of lose fitting theme
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Mary Rosenblum
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What will get a story rejected
by you?
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T.C. McMullen
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If I open a manuscript and the
first sentence is full of something such as passive voice
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I can tell right away when
someone has some skill in writing - either taken a course or has studied
elsewhere.
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Many people think it's so easy
to write down a story, but there is skill to it, and it's obvious to see
when you know what to look for.
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brpeterson
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Do you publish those themes in
your guidelines?
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Mary Rosenblum
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Or will you, when you start the
new 'Ezine?
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T.C. McMullen
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Yes, I believe I will. I give
everyone a chance and always read stories through to the end.
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If it has potential, I will
tell the author. I hope to always be able to do this because that is how I
learned, through the patience of others.
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roe
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Will you let LR know when you
start it or when you'll be ready to take submissions?
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T.C. McMullen
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I sure will
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Mary Rosenblum
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Just let me know, TC, and I'll
put it up in our markets section and mention it in a website update.
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gwanny
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I'm not sure I know what you
mean by passive voice?
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T.C. McMullen
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Passive voice is one of the
hardest things to explain and to understand - at least in my experience.
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It isn't always wrong either -
sometimes it is called for, but in general, using active voice is better.
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Active voice puts the action
front and center - it puts the reader right into the action- passive tends
to remove them from the action.
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I see passive as a sort of
showing a story from across a football field - the reader knows it's
happening but they can lose interest quickly.
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With active, they are thrust
right into the action. With short fiction, this is a must for having a
strong tale.
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Mary Rosenblum
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I agree, TC.
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T.C. McMullen
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Passive voice is often
involved with words like "was" - She was waiting. Active
way to write this is: She waited.
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gwanny
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Is it the same then as narrative
distance?
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Mary Rosenblum
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Actually, no, gwanny.
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T.C. McMullen
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No, it isn't
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Mary Rosenblum
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In active voice, the subject of
the sentence DOES the action of the verb.
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The dog ate the steak.
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In passive voice, the subject
does NOT do the action of the verb.. The steak was eaten by the dog. Wordy!
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T.C. McMullen
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Thank you Mary, I'm drawing a
blank on how to explain it right now lol
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Mary Rosenblum
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I get LOTS of practice as a LR
instructor, LOL!
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gwanny
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Okay,,,I got it,,,thank you,,this
can get confusing.
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Mary Rosenblum
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Yep!
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T.C. McMullen
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Yes, it can. It took me a long
while to get a strong hold on the passive vs active thing. And as I said,
passive isn't always a bad thing - just use sparingly.
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brpeterson
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Do you like quotation marks
around a character's thoughts?
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T.C. McMullen
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No
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Italics should be used for
interior monologue
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Mary Rosenblum
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So you began life as an author,
rather than an editor. Has your 'author' experience helped you as an
editor, do you think?
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T.C. McMullen
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Yes, I started as author.
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It has helped me in that I had
learned the technical skills such as punctuation. And it helps me be able
to see a story for what it is.
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I don't see a tale only as a
block of words with punctuation like some who are only editors seem to do.
I see a story's "heart".
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Mary Rosenblum
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You know, I think that's what
divides the really good editors from the rest...they deal with the heart of
a piece, not just the technique.
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Both in fiction and nonfiction.
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T.C. McMullen
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Very true. And an editor who
deals only with technical can destroy the heart of a story without even
realizing it.
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Mary Rosenblum
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ohyeah.
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T.C. McMullen
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There has to be a mix - and
sometimes it's okay to break a rule or two for the sake of the story.
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Mary Rosenblum
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So let's talk publishing for a
bit. You worked with an Ezine. Once upon a time all publishing was paper
and New York WAS book publishing. How do you see the publishing world
changing?
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T.C. McMullen
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The rise of computers has
changed so much,
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publishing included. With the
web, a publisher can be located anywhere in the world
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and so can an author.
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It is also enabling smaller
publishers to reach authors and offer more choices - choices they would
never get from the big houses.
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The big houses also seem to be
a bit trapped in the past. New voices are finding ways to reach readers
through the small presses.
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And the internet enables them
to reach many more people than they could have before - even without a huge
budget or book tours.
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Mary Rosenblum
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It is certainly true that there
is more variation, more risk-taking going on in the small press and Ebook
Ezine market.
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brpeterson
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What about payment for Ezines?
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Mary Rosenblum
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CD didn't pay, as I recall.
Correct?
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T.C. McMullen
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Some pay, some don't. Some can
only offer free subscriptions.
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No, CD didn't pay, but it was
planned that they would whenever they became financially stable. It isn't
easy starting out.
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brpeterson
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What's the motivation for
writing for an Ezine?
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T.C. McMullen
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Exposure and having your work published
- it adds to a writers resume.
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It’s also good experience for
the author.
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Mary Rosenblum
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Oh, let me add to that one!
Some of the emarkets are not only
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highly respected they DO pay
well.
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T.C. McMullen
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Oh yes, some do.
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Mary Rosenblum
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SciFiction is THE top market in
SF and it's an Ezine.
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But right now, most Emarkets
are either supported by what, TC? Subscriptions? Did Crimson Dagger bring
in ad money, too?
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Or they're funded by a parent
organization.
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T.C. McMullen
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Yes, the subscriptions - and
advertising.
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I believe, though I wasn't
involved with that aspect of CD
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that the revenue generated by
others buying advertising spots would enable CD to pay for the stories
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brpeterson
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Does a thick resume lend to
getting published?
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T.C. McMullen
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It certainly helps.
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It shows an author’s
willingness to work, skill in placing pieces and things like that.
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For publishing a novel, a
thick resume is very helpful too.
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It shows the author is skilled
in some aspects of marketing - a very good thing.
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brpeterson
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So you read a story, get
interested then look at the resume?
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Mary Rosenblum
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Or do you read the resume
first?
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T.C. McMullen
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I generally read the story
first.
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If it is good and I want to
use it, the resume, I will only glance over.
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If it isn't quite what I'm
looking for, I will look over the resume and it helps me get a feel for the
type of author I am dealing with
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but I'm also much more willing
to help beginning authors than most editors are.
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Mary Rosenblum
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Now, one of the realities in
the universe of writing is that we use a lot of words and give them
slightly different meanings...so could you really define 'resume' for
everyone? Do you mean the
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cover letter with clips, that
writer's personal experience?
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T.C. McMullen
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LOL, very good point Mary.
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Mary Rosenblum
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What DO you want from the
author?
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T.C. McMullen
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I consider a resume to be a
writer's past history - everything from education to works published.
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I also love to see well
written cover letters,
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the ones that are not form
letters - ones that let me see a bit the author's personality and why they
are doing what they are doing.
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Some write just because they
believe it's a fast and easy way to make some money.
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Those are the kind that will
most likely not be in this business long.
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Mary Rosenblum
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They sure won't! Soon as they
figure their hourly wage...LOL!
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T.C. McMullen
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LOL, that's for sure
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brpeterson
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Do you keep résumé’s on file?
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T.C. McMullen
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Sometimes I do - especially if
I liked their style or work but their story just wasn't right for the
issues I'm searching for.
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Sometimes I have to reject
stories I truly enjoyed because they aren't quite right for the issues
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but I keep the author's
information for possible contact later when I need their style of story.
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ashton
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Ever read a "million
dollar" story you couldn't wait to publish and the author has
practically nothing on their resume...a person who doesn't write often but
what he/she does write is top of the line?
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T.C. McMullen
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I've come across a few stories
by beginning authors that were very well written
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but I think those who take the
time to learn - or those few who are naturals to write so well --
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those people will continue to
write because it is what they do. Most authors "must" write. It's
not just a thing they do.
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Mary Rosenblum
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No kidding. I'm chuckling! If
it was a matter of income, I'd be a plumber!
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T.C. McMullen
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LOL, that's for sure. My
family always knows when I haven't had the time to write for a while. It's
not pretty lol
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sirlurker
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So a good cover letter can make
up for a skimpy resume?
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T.C. McMullen
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Absolutely - for me and many,
it can.
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Mary Rosenblum
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So what catches your eye?
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T.C. McMullen
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Something that truly feels
fresh and honest. Not arrogance --
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no "I'm the next Nora
Roberts." Or "My story is a must read for everyone."
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What I look for is honest
information on the story- and in the cover letter, I get a feel for the
author's voice, so it needs to be well written, not thrown together.
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jmr
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Arrogance, interesting. How does
a writer show arrogance in their writing?
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T.C. McMullen
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If they assume everyone wants
to read their work
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they usually won't put the
effort into getting to know their readers and their work suffers for it.
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Arrogant authors rarely
believe they have room for improvement either - difficult for editors to
work with
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so any kind of arrogance like
that is usually what we editors try to avoid.
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Mary Rosenblum
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Let's talk about the
editor/author relationship. How would you describe the process of editing?
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T.C. McMullen
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For me, I read an authors
manuscript, and mark possible problems.
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I explain to the author why
the flagged aspects are problems and then work with them to teach them how
to fix them
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for the current manuscript and
future ones. I always take into consideration the author's views. It's
important to have mutual respect between author and editor.
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Mary Rosenblum
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Have you had authors who simply
would not take advice?
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T.C. McMullen
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Yes.
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And it can become a nightmare
of the worst kind. I make a habit of not taking repeat jobs from these
types.
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If an author is not willing to
learn, there's not much one can do to help them.
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brpeterson
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You're speaking of magazine
articles/stories or novels?
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T.C. McMullen
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Mostly novels - but it could
also tie over to articles/stories.
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If a story has potential and
will work well for an issue but needs some editing - if the author is
unwilling, then the story doesn't get published.
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brpeterson
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So if you like a story, you'll
work with the author to fix it?
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T.C. McMullen
|
I did have one story I used
that needed some considerable editing - the author was more than willing
and turned their story into a much stronger piece
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and I'm more than willing to
do that if a story is worth it.
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I can see potential and enjoy
helping authors make their work stronger.
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speckledorf
|
Do you feel the personal
attention you give these stories you reject to be worth the
"nightmare" types?
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T.C. McMullen
|
Most of the time :-)
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I've begun making it clear
that an author has to be willing to work with me.
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I don't want to
"okay" a work that isn't the best it can be. There's much too
much competition.
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jmr
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What about deadlines... If you
start working with a hard to work with author that could blow a deadline?
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T.C. McMullen
|
Then I drop the author...
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I replace the story. As far as
novel length - the responsibility of deadline falls on the author, not me.
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pliz
|
What do you think of Ezines and
online publishers?
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T.C. McMullen
|
I think many of them are great
for authors and readers alike
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|
but authors need to be aware
of the not so good ones - do research, find out all you can about them to
be sure they do what they say.
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The internet is a great tool
for authors, but authors also need to be aware not all things are for their
benefit.
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Research and knowledge is an authors
best defense.
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Mary Rosenblum
|
Yes, there ARE publishers who
are simply out there to collect money from naive aspiring writers!
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|
One more question, TC
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and then I'd like you to wrap
up by telling us about your forthcoming work! And it's a good question!
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|
pliz
|
What is the best advice you
would give a new writer?
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|
T.C. McMullen
|
Be yourself - try not to copy
other writers in your work - let your own voice shine through because it is
what will make a story unique.
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|
Discover why it is you want to
write and what you want to accomplish with it. Then reseach how to reach
those goals.
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Be aware of the business
aspects. Learn all you can about both the business of it, and the craft of
writing
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and be careful not to let
expectations get so high - set reachable goals and don't get discouraged.
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And never stop learning.
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Mary Rosenblum
|
Great advice TC! And now, tell
us what you're working on, and what will be out next! And when!
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|
T.C. McMullen
|
I'm currently working on
Scorching Eden: Book Three in the Manipulated Evil trilogy. It will be out
this September, 1 year after Book One.
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Mary Rosenblum
|
Wow, that's fast. :-) Another
benefit of small press.
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T.C. McMullen
|
It's a mix of thriller,
fantasy, and romance - and has many aspects that were inspired by today's
world events.
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Mary Rosenblum
|
Cool!
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|
Where can we find it? And your
other books?
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|
T.C. McMullen
|
All my books are available
through online stores such as Barnes and Noble.com and Amazon.com. And all
can be ordered through local bookstores using the ISBN numbers.
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|
|
All except my Gone Before
Dawn. It is out of print until next year.
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|
roe
|
Who do you publish with now GAP
or Booklocker?
|
|
T.C. McMullen
|
Actually, I started my own
publishing company and have moved all my titles to it. Since I do all
aspects of publishing, it simplified things.
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Mary Rosenblum
|
Oh ,cool!
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|
T.C. McMullen
|
Open Reign Publishing - though
we are very selective and publish only the darker genres.
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Mary Rosenblum
|
TC, I'll be very interested to hear
how that turns out! Keep me posted!
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|
|
And do you have a website for
Open Reign?
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|
capd
|
Do you publish other writers?
|
|
T.C. McMullen
|
Yes, Open Reign Publishing. It
is brand new and I'm still in the process of determining exactly what
direction to take the company.
|
|
|
I'm currently looking for just
the right authors and tales to place with Open Reign.
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|
Mary Rosenblum
|
You’ll have to come back and
talk with us about publishing later on!
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|
T.C. McMullen
|
I would love to!
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brpeterson
|
I enjoyed this much.
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Mary Rosenblum
|
I think we all did!
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|
|
Thanks for coming, TC!
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|
|
It was very informative and a
lot of fun, chatting with you.
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T.C. McMullen
|
You are very welcome, I had a
great time. Thank you for having me here.
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|
Mary Rosenblum
|
Do keep me posted. I'm happy to
put guidelines up on the website and to let people know when you have a new
launch!
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|
roe
|
Great interview Mary and TC
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Mary Rosenblum
|
Thanks for coming, all!
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|
|
And thank you again, TC. We
sure enjoyed having you here.
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|
|
Good luck with your publishing
venture.
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T.C. McMullen
|
Thank you. I had a wonderful
time also.
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Mary Rosenblum
|
I'll be talking to you!
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Good night and take care!
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T.C. McMullen
|
Night all
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Mary Rosenblum
|
Night!
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