Legend:
Questions from the Audience are presented in red.
Answers by the Speaker are in black.
The Moderator's comments are in blue.
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Mary Rosenblum |
Good evening, all! |
|
Mary Rosenblum |
Tonight we were planning to visit with Liz Lounsbury, Romance Writer for both Harlequin and Sillhouette books. |
|
Mary Rosenblum |
However, her husband called about two hours ago, and she was rushed to the hospital with a severe asthma attack... |
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Mary Rosenblum |
and won't be released before Friday evening. |
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Mary Rosenblum |
I assured her that we can reschedule, but since you all came here to learn about Romance writing... |
|
Mary Rosenblum |
we'll just do an impromptu forum on the topic. |
|
Mary Rosenblum |
Since even if I don't write it, I DO know a lot of Romance writers and some editors. |
|
Mary Rosenblum |
Life threatening asthma is a pretty scary condition and you never know when you'll get an attack. |
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Mary Rosenblum |
And the universe has helped me out... |
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Mary Rosenblum |
since in my pro. mail box today, I found a packet of info for the Romantic Times Bookclub convention... |
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Mary Rosenblum |
that will be held in Kansas City, Missouri in October. |
|
Mary Rosenblum |
That will be a good convention for aspiring Romance writers to attend, since it features... |
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Mary Rosenblum |
panels on how to write romance, meetings with publishers, agents, editors, and the like. |
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Mary Rosenblum |
I'll be posting contact info on the website in Writing Craft: New Markets this weekend, if you're interested. |
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Mary Rosenblum |
If you enjoy Romance, and if you really want to make a reasonable return for writing fiction... |
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Mary Rosenblum |
Romance is the genre to choose. |
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Mary Rosenblum |
Over 55% of all paperbacks sold are Romance |
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Mary Rosenblum |
and about 150 new titles are published monthly. |
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Mary Rosenblum |
THere are 41 million Romance readers in North America and it is an industry with a VERY reliable readership. |
|
terid |
is 65K too short for a romantic suspense novel? |
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Mary Rosenblum |
Terid, every publisher...Harlequin, Sillhouette, and the like... |
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Mary Rosenblum |
each publish a variety of imprints. |
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Mary Rosenblum |
These focus on different 'slant's and appeal to different audiences... |
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Mary Rosenblum |
and each has its own length. Some are as short as 70,000 words. |
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Mary Rosenblum |
Or less. As I recall there are some very short imprints...about 55,000. |
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Mary Rosenblum |
others are up closer to 90.000 |
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Mary Rosenblum |
You'll have to go to each publisher's website and check the guidelines. |
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owlybear |
we could have a sci fi romance....LOL |
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Mary Rosenblum |
don't laugh, owly! |
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Mary Rosenblum |
The big Romance houses are publishing Romantic SF and Fantasy and it's a hot seller! |
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mbvoelker |
Where does one begin in writing satisfying, believable romance rather than sappy romance? |
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Mary Rosenblum |
Weeelll, Mary Beth, what you see on the book racks is what the publisher wants. |
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Mary Rosenblum |
If that is what you call sappy, you're out of luck. It's what Harlequin et al call successful! |
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Mary Rosenblum |
There are some other houses that will publish romanctic fiction, though. |
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shoutjoy |
How do you know which senareo to write on, many avenues? |
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Mary Rosenblum |
I hope I'm understanding your question, shout. If you mean how do you decide what 'slant' or focus to use for a romance book... |
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Mary Rosenblum |
again, I would go to the Harlequin, Sillhouette or other website and read the guidelines. |
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Mary Rosenblum |
They are very specific about what they want. |
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Mary Rosenblum |
Then find a book or two from that imprint and read it, to see just how that guideline translates into a story. |
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sailor |
My friend who writes romance novels has received fan mail from prison inmates. Other romance writers told her this is common and she should not reply. Have you ever experienced this? Seems like a good reason to use a pen name! |
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Mary Rosenblum |
Ha, Sailor, I have STUDENTS who are in prison! |
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Mary Rosenblum |
Most romance writers I know use a pen name, and it's not a bad idea. |
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Mary Rosenblum |
You are writing sex/love stories here, and when you put on a public face, you have no control over who reads your work... |
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Mary Rosenblum |
or how that person might react or think of you. |
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Mary Rosenblum |
Most writers, myself included, us a PO box as a professional address... |
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Mary Rosenblum |
although I'm pretty free with my home address. |
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elisabetam |
Are there any Romance mags out there that buy fiction besides True Confessions? |
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Mary Rosenblum |
I've posted a few on the website in Writing Craft: New Market Listings, elisabetam. |
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Mary Rosenblum |
If you want to sell romance, it is worth the money to join Romance Writers of America. |
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Mary Rosenblum |
They do not require that you be a published writer, unlike most pro organizations. |
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Mary Rosenblum |
and the membership fee includes a subscription to Romantic Times, their newsletter. |
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Mary Rosenblum |
This has a market section which lists short fiction markets as well as novel markets. |
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Mary Rosenblum |
It costs 100 to join, then the annual dues afterward is per year. |
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Mary Rosenblum |
The website of RWA is: |
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Mary Rosenblum |
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elisabetam |
I find all the imprints VERY CONFUSING |
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Mary Rosenblum |
They seem so at first, elisabet. |
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Mary Rosenblum |
But they're pretty easy, really. |
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Mary Rosenblum |
A publisher publishes fiction...romance say. |
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Mary Rosenblum |
One Imprint: Shadows, might be dark and ghostly romances. |
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Mary Rosenblum |
Another imprint might be Christian romances. |
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Mary Rosenblum |
A third imprint might be sexier romances |
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Mary Rosenblum |
another might be YA romances... |
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Mary Rosenblum |
The various imprints are described in the guidelines and allow you to send your book to the editor who is most likely to welcome it. |
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speckledorf |
Emotions are a complex issue in the romance genre...how do you portray those emotions realistically without getting sappy? |
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Mary Rosenblum |
AS with any fiction, speckle, show don't tell rules the day! |
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Mary Rosenblum |
If you can allow your character to show us her feelings by the way she reacts to a situation... |
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Mary Rosenblum |
it will always be much stronger than a scene where you the author break in to say...'Carolyn was terrified'. |
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Mary Rosenblum |
That reminds us that we are hearing YOUR story, not living it ourselves! |
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Mary Rosenblum |
and Romance is the ultimate escape fiction! You REALLY want your reader to be sucked into your world1 |
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Mary Rosenblum |
so if Carolyn shrinks back, hands at her mouth, struggling not to scream...well, she's terrified, yes? |
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Mary Rosenblum |
And you didn't tell me. |
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Mary Rosenblum |
Even subtle emotions can be portrayed by a glance, a brief thought, or twisted fingers... |
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terid |
Do they prefer plot driven or character driven? |
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Mary Rosenblum |
Nearly all the guidelines will tell you that they want strong characters, but they also want a strong plot, AND the romance MUST be the central focus rather than the mystery or what have you. |
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terid |
My current is 65K and ready to submit |
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Mary Rosenblum |
Terid, I would go to Harlequin and Sillhouette websites and start reading guidelines for the various imprints. Decide where your ms needs to go and send it off! |
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Mary Rosenblum |
But they are not kidding about their word counts! |
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paja |
Writers in all genres in some degree experience the emotions their characters are experiencing. Right? So how does one "discharge" the overwhelming or unseemly emotions? |
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Mary Rosenblum |
Paja, the more you write, the more you are able to creat real people but without needing to 'become' that person. |
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Mary Rosenblum |
That way you are not so strongly affected by the emotions your character experiences. Meanwhile...try a long walk! Or some vigorous exercise! :-) |
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Mary Rosenblum |
Hey, I'm single! I go outside and work hard after I write a nice hot romantic scene! |
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Mary Rosenblum |
(I'm chuckling, but I'm also not kidding!) |
|
mel |
A former student of mine when she was in grade 10 is now doing very well as a Romance writer. Her name is Kayla Perrin and she writes for Harpercollins .The Romance novels asre published under |
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mel |
Harpertorch. Two titles are "Say you Need Me" and "Tell Me You Love Me". She has about 17 books out. She says it's a lucrative market. Once your first book is accepted, you have an immediate "in" |
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Mary Rosenblum |
No kidding, Mel. I know several SF/Fantasy writers who pay the rent with their Romances. |
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Mary Rosenblum |
If you |
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Mary Rosenblum |
click with the market, you can write as many books as you can turn out. |
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Mary Rosenblum |
The print runs are large and they sell very reliably. If I hadn't been offered the web editor here, I was planning to ... |
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Mary Rosenblum |
start writing romance seriously. |
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mystery2me |
I have noticed that sometimes magazines print a chapter from |
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mystery2me |
a book and wonder do you get paid for that or is that ... |
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Mary Rosenblum |
missed the end of your questions, mystery, but I'm assuming you were going to ask if that was advertising? For free? |
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Mary Rosenblum |
Not at all. |
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Mary Rosenblum |
Some magazines DO serialize novels. It depends on how you sell the story. |
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Mary Rosenblum |
If it has not been published by a book publisher, then you are selling First NA serial rights and get paid the same as you would for a short story... |
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Mary Rosenblum |
although most magazines pay you a flat sum for a novel serialization rather than per word. |
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Mary Rosenblum |
If it's already been published, then you are selling second rights and get less money, but you STILL get paid! |
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shoutjoy |
Some sappy, some steamy and some sweet, huh? |
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Mary Rosenblum |
And some with a particular theme, shout. Mystery. Thriller. Fantasy... |
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Mary Rosenblum |
That sort of thing. |
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margieh |
On a scale of 1-5 if "sappy" is a 1, what is a 5? |
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Mary Rosenblum |
Margieh, that is so subjective! What I might consider sappy, another reader might think is compelling! |
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sailor |
My friend uses her real name in the copyright, but she is thinking of switching to her pen name. |
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Mary Rosenblum |
I'm a little confused by that, sailor. Your work is copyrighted in your legal name. |
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Mary Rosenblum |
A pen name is not necessarily your legal name unless you make it so. |
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shoutjoy |
What do you get for your membership? |
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Mary Rosenblum |
In Romance Writers of America? The website will give you details... |
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Mary Rosenblum |
but mostly, it allows you to participate in local chapters, which put on workshops, panel discussions, visits from publishers and the like... |
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Mary Rosenblum |
and to get the newsletter and market news, plus I believe that RWA offers... |
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Mary Rosenblum |
legal advice and some insurance for us writers who have trouble getting group health plans! |
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Mary Rosenblum |
I know MWA offers group health insurance plans. |
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shoutjoy |
You talk about fiction, many romance bks mostly fiction? |
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Mary Rosenblum |
I'm not sure I entirely follow your question, shout. |
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Mary Rosenblum |
Romance is by definition fiction, rather than nonfiction. |
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Mary Rosenblum |
But much fiction has a romantic element! |
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mbvoelker |
I'd like to share a link. My favorite writing website is from a romance writer, Alicia Rasley. The link is to her article of the month and IMO the archived articles are well worth the time. http://www.sff.net/people/alicia/art.htm |
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Mary Rosenblum |
Interesting that she's on SFFnet, mb. |
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Mary Rosenblum |
I wonder if she's a member of SFWA, too. |
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shoutjoy |
What is used most, 1st, 2nd or 3rd person? |
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Mary Rosenblum |
Shout, I’ve noticed third in use more than in first, but some imprints are probably done more in first person. |
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Mary Rosenblum |
Second person rarely works well for novel length fiction. The reader gets resistant to being told 'you do this' 'you do that'. |
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owlybear |
if you take characteristics form several people that you observe or admire, yet you are not like that, and create a character It might be difficult to get too emotional , because you do not know what these people experience, so you'd have to make those emotions up in your imagination... |
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Mary Rosenblum |
Well, Owly, that's how you really do all characters. In reality, every real character we create... |
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Mary Rosenblum |
contains extrapolations of our own self. |
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Mary Rosenblum |
We contain a range of possibilities and emotions, and you draw out some small aspect of yourself.. |
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Mary Rosenblum |
to create the believable emotional response in that character. |
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mbvoelker |
What about incorporating romance into other genres? What techiques do romance writers use that other writers would benefit from knowing? |
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Mary Rosenblum |
Emotion is probably the characteristic that predominates Romance, mb. |
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Mary Rosenblum |
And all too often, emotion is left out of the story as characters go through the actions of the plots. |
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Mary Rosenblum |
While you may not need to include as much emotion in fantasy, or a mystery as you would in a romance, some of those techniques, the ability to show the emotions... |
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Mary Rosenblum |
of a character without telling us, is beneficial and strengthens the characterization. |
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shoutjoy |
What is the average pay for a novel, article, short story? |
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Mary Rosenblum |
Shout, these are very general figures, okay? |
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Mary Rosenblum |
There are exceptions, but these are common. Short fiction pays from zero to ten cents per word, on average... |
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Mary Rosenblum |
and ten cents is high. REALLY top markets like New Yorker, ATlantic, and some high end anthologies may pay a dollar a word. |
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Mary Rosenblum |
Articles should pay about a dollar per word and more for large circulation magazines. |
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Mary Rosenblum |
Novels will net you -- for genre like SF, fantasy, mystery, etc -- about 5000 as a first-novel advance. Less in some houses. But if you sell well, you'll get more than that from royalties. |
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Mary Rosenblum |
If you sell something that the marketing people think will really take off and plan to market as their leading book for the quarter... |
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Mary Rosenblum |
you may get 20,000 or up for an advance. |
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Mary Rosenblum |
Our mystery guest earlier this year, with his rock climbing prosecuting attorney character got a solid five figure advance... |
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Mary Rosenblum |
because the marketing people thought the book would really take off. ' |
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mbvoelker |
What makes a romantic relationship believable, compelling, and strong enough to carry an entire book? |
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Mary Rosenblum |
Two words, mb. Real people. |
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Mary Rosenblum |
That kind of character driven novel depends on the people being not only believable but people that we care about enough... |
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Mary Rosenblum |
that we really don't need a lot of exciting plot to carry the story. |
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sailor |
She is thinking if her pen name in the copyright to make it harder for prison inmates to find her. She got a letter from a convicted murderer. |
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Mary Rosenblum |
Well, Sailor, no matter how hard you try, if fans REALLY want to find you, they can. |
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Mary Rosenblum |
James Tiptree Junior, a very famous SF writer was my aunt's best friend. I never realized until after she was dead. |
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Mary Rosenblum |
She created an entire legal identity as Tiptree. (She worked for the CIA) and nobody knew but her close friends. |
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Mary Rosenblum |
But some fans STILL figured it out! |
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Mary Rosenblum |
Really upset her! |
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shoutjoy |
Do you teach how to deal with tax issues rel to publishing? |
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Mary Rosenblum |
Yes, shout. My accountant, John Caton, who handles writers and artists... |
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Mary Rosenblum |
will be a guest here this fall, talking about how to deal with the tax man as a writer. |
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Mary Rosenblum |
And he'll write me a 'how to' article, as well. |
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terid |
what does it mean when they say "category romance?" |
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Mary Rosenblum |
what it means, terid, is the type of romance published by one of the Romance publisher's imprints. |
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Mary Rosenblum |
They're actually rather formulaic in that they are very similar in form. |
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Mary Rosenblum |
Which is why you should read the imprint before you decide your book will fit it! |
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shoutjoy |
Can we get scripts of these chats? |
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Mary Rosenblum |
You sure can, shout. |
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Mary Rosenblum |
Since this is really a forum rather than an interview, it will be posted in Writing Craft: Forum Transcripts. |
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Mary Rosenblum |
but I'll post another copy of it in Surviving and Thriving: Transcripts, where I usually post the Thursday interviews... |
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Mary Rosenblum |
just so I don't confuse people! |
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terid |
I know Harlequin will accept unsolicited mms..... |
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terid |
but, should I try for an agent? |
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Mary Rosenblum |
I would, terid. Your agent will make some changes in the Harlequin contract that you won't know to make... |
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Mary Rosenblum |
and an agent gives you more respect. But I wouldn't try for one until you sell to Harlequin. |
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Mary Rosenblum |
You'll get a better agent with a sale in hand! |
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shoutjoy |
You talk about imprints are these like cliftnotes? |
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Mary Rosenblum |
These are sort of subgroups within the publishing house, shout. |
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Mary Rosenblum |
One imprint might be romantic mysterys for example. Another might be supernatural romance, or Gothic, or romantic fantasy. Each imprint has its own name, but is under the umbrella of the publisher. |
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Mary Rosenblum |
In mystery, I wrote for Berkeley Prime Crime, which is the 'cozy' imprint for Putnam Publishing. |
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Mary Rosenblum |
They have other mystery imprints, too. |
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elisabetam |
what is an average length for a chapter? |
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Mary Rosenblum |
Most of the Romances I"ve looked at, elisabet, tend to have fairly short chapters, usually a single scene. |
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Mary Rosenblum |
There is no hard and fast rule for chapter length... |
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Mary Rosenblum |
but I wouldn't aim for thirty page chapters! |
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speckledorf |
Will publishing a romance lead to an easier time getting published in other genres? |
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Mary Rosenblum |
To some degree, speck. |
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Mary Rosenblum |
It means you're a pro, you can write a book and deliver it on deadline. |
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Mary Rosenblum |
You will be treated like a pro, even if you've never sold in the genre you're submitting to. |
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shoutjoy |
Do you have to become a company once published? |
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Mary Rosenblum |
Not usually. |
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Mary Rosenblum |
You can talk to my accountant when he's on the site, but what he told me... |
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Mary Rosenblum |
is that if you're not a company the IRS says you're not a company, even if you incorporate. |
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Mary Rosenblum |
Not much point if the tax man disallows it! |
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mel |
Are Romances roughly in that |
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Mary Rosenblum |
I don't know the actual numbers, MEl. |
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Mary Rosenblum |
I gather that you don't get more than that for your first contract... |
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Mary Rosenblum |
but if you sell well, they print more, and your pay goes up. |
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Mary Rosenblum |
How quickly or how high, I can't say for sure. |
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Mary Rosenblum |
But the people who write it that I know, really are paying the rent with it. So it pays reasonably well. |
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Mary Rosenblum |
Top sellers make much more! |
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Mary Rosenblum |
Marginal 'mid list' sellers won't make as much. |
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shoutjoy |
In describing, when do you quit? Can you go overboard? |
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Mary Rosenblum |
Sure, shout. |
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Mary Rosenblum |
If you spend an entire two page segment describing a sunbeam bouncing around a bedroom while nothing much happens...well, that's a little more detail about a sunbeam and the bedroom... |
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Mary Rosenblum |
than I want to read, unless it's critical to the plot! |
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Mary Rosenblum |
But I do like to see where I am. |
|
terid |
so should I not say my novel is romantic suspense? |
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terid |
and call it just a romance? |
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Mary Rosenblum |
Terid, I'd go read the guidelines. Check Harlequin, Sillhouette, and Dorchester. They are the big three. |
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Mary Rosenblum |
Also check AOL Warner books. |
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Mary Rosenblum |
Look for imprint descriptions that mention suspense and submit your ms to that imprint editor. |
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shoutjoy |
Do you a list of reputable agents we can contact when ready? |
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Mary Rosenblum |
You bet, shout. Hang on. |
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Mary Rosenblum |
http://www.aar-online.org/index.html |
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Mary Rosenblum |
This is the url for the Association of Authors Representatives -- the professional organization of Agents. |
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Mary Rosenblum |
A reputable agent will belong to this organization. |
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Mary Rosenblum |
And the webpage offers a tutorial on how to acquire an agent, what questions to ask him or her, and the like. It also provides... |
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Mary Rosenblum |
contact info for their members, and what to send to the agent you are interested in. |
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Mary Rosenblum |
Go there first! It's all you need! |
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Mary Rosenblum |
|
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Mary Rosenblum |
There's the direct link. It'll be in the transcript. |
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sailor |
If you create a set of characters, and someone else steal them and write their own sequel? I remember the controversy about the sequel to Gone with the Wind. Can they get around it just by changing the character's name? |
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Mary Rosenblum |
Well, the Gone with the Wind was a special case because a LOT of money was involved... |
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Mary Rosenblum |
but if you publish a set of characters in a world and another author uses those characters... |
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Mary Rosenblum |
one letter from your lawyer to the publisher will stop it. That is a legal no no and the publisher will drop the book. |
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Mary Rosenblum |
The Gone with the WInd thing was a parody. There WAS a legitimate sequel, but that was entirely legal and approved. |
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mbvoelker |
Real people. That's what all the best writing seems to boil down to, isn't it? |
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Mary Rosenblum |
That's right, mb. You got it! |
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margieh |
What is Gothic? |
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Mary Rosenblum |
it's a subgenre of romance, margieh. |
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Mary Rosenblum |
I don't know it well, but it's set in a certain time period in England, mostly, also Europe, and tends to be dark in plot. |
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Mary Rosenblum |
It has a strong following. |
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elisabetam |
I am having trouble with chapter lengths and organization. how long should a chapter be? |
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Mary Rosenblum |
Well, elisabet, the simplest way to go is to let each chapter be one scene long. |
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Mary Rosenblum |
Unless your scene is three pages long! |
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Mary Rosenblum |
But when you change location or time, or shift from one POV to another, this is a good place to begin a new chapter. |
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Mary Rosenblum |
A good friend, well published in SF, writes 8 - 10 pg chapters. |
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terid |
so I should try to sell to harlequin first THEN get an agent |
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Mary Rosenblum |
That's probably your best route, Terid. |
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Mary Rosenblum |
You don't need an agent to send ms to Harlequin. |
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Mary Rosenblum |
And good agents often refuse to take on unpublished writers... |
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Mary Rosenblum |
but if you have a contract, they'll be much more interested. |
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janp |
If a man and woman, 60 plus, become romantically involved, when and where would you let the curtain fall? in or out of bed? |
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Mary Rosenblum |
In fiction generally, this is up to you, and how comfortable you are writing a sex scene, janp. |
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Mary Rosenblum |
If you are squeemish about writing the sweaty details of that hot Saturday night, then drop the curtain and tiptoe offstage and let the reader fill it in! |
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Mary Rosenblum |
I have to admit that that's what I tend to do, mostly. :-) |
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Mary Rosenblum |
But I've read some really beautifully written scenes that were quite detailed and weren't porn at all. |
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Mary Rosenblum |
It also depends on your audience. That ain't gonna work for a YA book! Obviously! |
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Mary Rosenblum |
In Romance, it again, depends on the imprint and the guidelines will tell you how much sex is permitted. |
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sailor |
So you get a contract for your first book. Do you then try for an agent for your 2nd book, or do you try to get an agent to negotiate the details of your first contract? |
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Mary Rosenblum |
No, Sailor, you get the agent before you sign the contract! |
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Mary Rosenblum |
Don't worry, you have plenty of time. |
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Mary Rosenblum |
First you get a letter or phone call saying that your book will be published, and probably asking for a disk of the ms. |
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Mary Rosenblum |
Then, later, the contract will arrive...sometimes with the acceptance letter, often later. |
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Mary Rosenblum |
That's when you get in touch with agents and say, 'help'! |
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Mary Rosenblum |
Send the contract to the agent on your list of potentials who answers first and let that agent call the editor and start negotiating. |
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Mary Rosenblum |
Just make a list of agents you want before you send the ms off, so you're not frantically doing research when the contract arrives! |
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janp |
Would readers accept a gentle, loving sex scene with people over 60? |
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mel |
Why should age make a difference? An author would NOT let the curtain fall on a younger couple ,but WOULD with a 60 +one? I detect age bias, and I'm 60+ !! Tsk Tsk! (LOL) |
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Mary Rosenblum |
I had to post these together! |
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Mary Rosenblum |
Certainly the readers are going to accept a loving sex scene with 60 year olds if you WRITE a lovely sex scene with 60 year olds! |
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Mary Rosenblum |
You can make anything beautiful by the way you describe it...even if you're describing it accurately! |
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Mary Rosenblum |
Think of the glass half empty/half full analogy. |
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Mary Rosenblum |
If you're going to describe your lovers as disgusting...then they are! If you describe their bodies or actions as beautiful...then they are. |
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Mary Rosenblum |
Same attributes, different way of looking at them. |
|
mel |
THANKS!!! LOLOL!! |
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Mary Rosenblum |
Any time, Mel! :-) |
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chatty lady |
Absolutely true... |
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Mary Rosenblum |
Thank you, Chatty! You're the expert. :-) |
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paja |
Agents: There's a list of agents on that writers representative sites, so other than genre, how do you pick out names to send to? |
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Mary Rosenblum |
Unless you start asking writers at conferences who their agent is, about all you have to go on right now is genre. |
|
Mary Rosenblum |
This is where writers conferences are valuable. |
|
Mary Rosenblum |
You chat with a writer whose work you like. I'm looking for an agent, you say. Who is yours? Are you happy with him? |
|
Mary Rosenblum |
If you're lucky, the writer may refer you to that agent or tell you to use his/her name when you query that agent. |
|
Mary Rosenblum |
But you will find out who is good. |
|
Mary Rosenblum |
I know the SF agents...many of them at least...but I'm not familiar with agents in other genres. |
|
Mary Rosenblum |
If you're looking for an SF agent talk to me. |
|
paja |
Is it easy for a new writer to tick off the more experienced ones by asking about her/his agent? |
|
Mary Rosenblum |
well, not if you're polite, paja. |
|
Mary Rosenblum |
If someone comes up to me and tells me that he enjoyed my last Asimov story and then says he's got a SF novel and can I recommend an agent... |
|
Mary Rosenblum |
I'm happy to give him names. Hey, we ALL love to hear that somebody liked our work. |
|
Mary Rosenblum |
We're not telepathic, you know! :-) If you don't tell us, we can only guess! |
|
roe |
how about mystery agent, Mary |
|
Mary Rosenblum |
I don't know them well, roe. I don't get to too many of the mystery conferences. And since I'm not looking for an agent... |
|
Mary Rosenblum |
the conversation hasn't come up much, although next conference I'm at... |
|
Mary Rosenblum |
I'll ask around for referrals for Long Ridge and website people ...agents who are taking first mystery authors. |
|
roe |
did you use your same agent for your garden mysteries |
|
Mary Rosenblum |
I did, roe. She GOT me my garden mysteries! She was having lunch with Judy Palais of Putnam and Judy said she was looking... |
|
Mary Rosenblum |
for an author to do a gardening mystery series. |
|
Mary Rosenblum |
That's when Martha called me and told me she wanted three chapters, a synopsis and proposals for two more books on her desk by the next day! |
|
Mary Rosenblum |
Didn't QUITE make that deadline, but I got it to her the day after! |
|
sailor |
Mary, if you had started writing romances, would you use your current agent for those or would she not have the right contacts? |
|
Mary Rosenblum |
I have a romance out with her right now, Sailor. |
|
Mary Rosenblum |
But if I had started with Romance, I would have gone to some of the RWA conferences and probably been steered to a different agent. |
|
Mary Rosenblum |
Agents cross genres, and Martha has handled several Romance authors, just as she has handled mystery authors... |
|
Mary Rosenblum |
they just tend to concentrate more on one genre than others. |
|
speckledorf |
Alright Mary...don't keep us in suspense..title of romance...and is it available now!!! |
|
Mary Rosenblum |
Oh, goodness, I just sent it off. It's a romantic mystery, not category, so the markets are limited. I think it's with Warner right now. |
|
Mary Rosenblum |
I'll let you know when it sells. :-) |
|
Mary Rosenblum |
If you're serious about Romance and you want to become one of Harlequin or Silhouette's authors... |
|
Mary Rosenblum |
then I strongly suggest that you look at the imprint that fits your story the most closely... |
|
Mary Rosenblum |
because Harlequin et al, really know what they want in a romance and that is what you find on the shelves. They are not, in my experience... |
|
Mary Rosenblum |
awfully open to experiments. If your book is similar to others out there, you're in good shape! |
|
chatty lady |
IMPRINT? |
|
Mary Rosenblum |
Hi, chatty. I think you missed my earlier definition. |
|
Mary Rosenblum |
Imprints are named lines within a publishing house. |
|
Mary Rosenblum |
For example, in Putnam Publishing, 'Berkeley Prime Crime' is their cozy line. It is an imprint. They have other mystery imprints, too. |
|
Mary Rosenblum |
And a Romance imprint. |
|
mbvoelker |
You mentioned fantasy and SF romance. Could you go into more detail? I've never seen one of either. |
|
Mary Rosenblum |
These are new. |
|
Mary Rosenblum |
Harlequin is bringing out a Romantic Fantasy line. I think I"ve posted it in New Markets. |
|
Mary Rosenblum |
So is Tor Books. It's also posted in New Markets. |
|
Mary Rosenblum |
I picked up the recent release in that line: Kashiel's Dart at a recent conference. |
|
mel |
Are the Harlequin Romances mostly "formulaic"? If they are, should a writer acquaint herself or himself with the formula BEFORE writing the Romance so that it will easily fit one of their imprints? |
|
Mary Rosenblum |
Yes, and Yes, Mel! |
|
Mary Rosenblum |
I knew a couple of grad students who got together as a team and paid much of their tuition by writing Harlequins. |
|
Mary Rosenblum |
They followed the 'formula' for a particular imprint. |
|
Mary Rosenblum |
If you haven't started the book yet, I'd choose an imprint that fits what you're doing and notice how the plots are constructed. |
|
Mary Rosenblum |
Then follow that structure with your own story. |
|
mel |
And are the "formulas" in their imprint guidelines? |
|
Mary Rosenblum |
Not specifically, Mel. They will tell you what kind of romance they want, what kind of story, but they're vague, like all guidelines. |
|
Mary Rosenblum |
That's why I suggest you read a few. |
|
Mary Rosenblum |
Well, we're drawing to the end of our time here! |
|
Mary Rosenblum |
Anyone want to suggest a topic for Friday's AFter Hours Forum? |
|
mbvoelker |
Pacing? I've just hit one chapter with too much happening and the next with too little. |
|
Mary Rosenblum |
Pacing is good, mb. |
|
Mary Rosenblum |
That's one topic that most of the 'how to write' books don't cover... |
|
Mary Rosenblum |
not surprisingly, because a LOT is involved with pacing! |
|
Mary Rosenblum |
I'll do that. |
|
Mary Rosenblum |
Well, I wasn't Liz Lounsbury, but maybe this will give you all even better questions to ask her, when I can bring her back! |
|
Mary Rosenblum |
romance is fun. I enjoyed my little fling with it. |
|
Mary Rosenblum |
Don't forget that the chat rooms are busy most weekday mornings (well, morning MY time, 10 am pacific, 11 Mt, 12 central, and 1 pM eastern). |
|
Mary Rosenblum |
People are around most evenings too! |
|
Mary Rosenblum |
And tomorrow, at the After Hours, I'll talk about pacing! |
|
Mary Rosenblum |
Good night! |
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